The Red Bags is a reaction to issues affecting society at large, such as war, displacement and climate crisis.

Invisible Planets is a close-up exploration of environmental details and patterns, echoing small and large cosmic scales.

Metal notes are created from lark song recordings in In The White Dawn, inspired by poetry and nature.

The Middle Passage provides a deeper understanding of the Transatlantic Slave Trade through visualisation.

PolyKinderchromie n°1 revives vintage Kinder Surprise toys whilst revealing deeper meanings about society.

Pineland/Hollywood challenges audiences to distinguish fact and fiction and consider how films are consumed.

The Caligo photobook installation tells a fictional story of a group of humans escaping climate catastrophe.

Winner | I’ll Be Back! examines objects of colonial violence, reconsidering the distance between myth and power.

Nurture; Nature surveys climate fragility and technological advances, as well as humanity’s relationship with nature.

Johanna Marie Schimming’s paintings
convey harmony, serenity and joy, distinguished by organic and clear lines.

Contortion uses staged tableaux and lighting techniques to create thought-provoking narrative “stories.”

In Self-Portrait. Queen, Kristina Varaksina holds the viewer’s gaze in a 21st century take on classical painting.

Winner | Larry Achiampong’s work examines the intersection between popular culture and colonialism.

Lavinia Keller discloses the invisible impact of technology, inviting viewers to rethink ownership and identity.

Lisa Traxler explores the boundaries of 2D and 3D, addressing an ongoing fascination with history and place.

The Seagrass Walk raises awareness about one of the world’s most threatened ecosystems.

Steph Tari Odu’s The Language is an exploration of the emerging ballroom community in Barcelona.

The script for Valentina Ferrandes’ Daaphne was written by AI GPT-3, prompted with excerpts of Ovid.

Observation Station manipulates the physical perception of each viewer, resulting in an emotional awakening.

Beneath the Waves explores landscape, studying the psycho-geography of the coast and the lure of the sea.

In this contrast of elegance and chaos, underwater worlds teeter on the edge of fragility, engulfed by cresting waves.

In Astronoids , objects are manipulated into astronomical bodies, transforming the familiar into unknown frontiers.

In Borderless Place images stretch the boundaries of reality, focusing on the intersections of freedom and belonging.

Hold Me Tight stages imagined journeys between present-day and younger selves, attempting to reconcile youth.

Architecture of Gilded Dreams transports viewers to a bygone era of opulence and early 20th century movie-palaces.

Spectral represents entanglement between the observer and observed, showcasing a hidden luminescence.

We Had to Wait Until Dinnertime depicts a idyllic summertime scene as the sun bathes a figure in an orange glow.

Cinematic portraits investigate expressions of the self, showing or concealing identity in human shells.

Remembrances is an idyllic embrace between the past and present, combining architecture and scenery.

Vogue House features LGBTQI+ individuals from around the world in Paris, boldly posing for a family portrait.

Mother documents a journey over eight years, from a disconnection with the self, to realising the legacy of children.

Segmented pushes the boundaries of image-making and expressions of self with 3D structures and vivid tones.

Blue combines traditional photographic techniques with colour theory to visualise feelings of fear, joy and pride.

Cook, Little Pot, Cook examines the psychology of emotion, drawing inspiration from The Brothers Grimm.

Power Struggle subverts stereotypes, inviting viewers into an alternate world that champions self-expression.

Dystopia visualises a dark underwater world, highlighting the impact of humans on marine environments.

Blue Silo Hokkaido conveys a sense of unblemished abstraction, describing complex realities of the environment.

Dark Galaxy‘s swirling staircase continues the artistic desire to use photography to capture buildings.

Empty parking lots, forgotten swimming pools and clear skylines ask viewers to reassess everyday settings.

Aluminum and Ash investigates the relationship between industry and nature through vast pipe networks.

Structure Photography reappropriates buildings as repeating geometries, shedding new light on the world’s cities.

Ruby Hyde’s dark visual fairytales embrace contrasts between light and shadow, addressing emotive concepts.

Akunnaaq, mounted on raw steel, is vulnerable to oxidation, reflecting the fragile state of the landscape.

Haptic House explores how rapid technological advancement permeates private life and the sense of identity.

10,000 Years envisages ancient elemental light, using solar radiation to etch onto silver gelatin papers.

In Re:Collect, viewers are encouraged to study and re-interpret abstracted, twisted subject matter in new ways.

Till Rückwart builds an archive of “dysfunctional images” – presenting new ways to think about technology.

Uwe Langmann takes photos in particular weather conditions, utilising snow, fog and bright yet overcast skies.

Wall of Nature is like a still from a daydream, where reality converges with Viet Ha Tran’s inner world.

Spiral utilises geometry, architecture and motion to find beauty and stillness in the chaos of modern working life.

Blow-up 00:00‘s saturated compositions paint a picture of activities enjoyed by contemporary Chinese youth.

Lee Bleaching His Hair centres on notions of visibility, challenging society’s often narrow perceptions.

Times Paradise is a series full of contrasts: past meets present, nature meets manmade, work meets leisure.

Green Dark is set in an upland area of Mid Wales that sustains a historic community with open hill farming.

CLADES reveals fluidity inherent within structure, cultivating a balance between containment and freedom.

Photographic Memories pushes the boundaries of photographic art, transforming slides into an installation.

Francesca Silverton combines found objects with mathematic principles to produce narratives on identity.

Ellipsis appears like a vortex to another land, blurring the boundaries between materiality and viewer.

The Egg Rack Made a Disclaimer is informed by an interest in the tensions embedded in everyday scenarios.

MMXX is made from more than 300 Plaster of Paris shapes, representing a stark, empty urban landscape.

In Phonos, 208 recycled speakers are sent individual infrasonic frequency signals, causing the structure to vibrate.

The In-between Moments: Homage to E.J. Marey explores the seemingly empty space between two complete actions.

Backwards in Coming Forwards is a collection of wooden objects combining minimalism with modern technology.

In Regular Concrete, electronic devices, cast in a signature Brutalist style, are immortalised like time capsules.

The Peace Doves conveys a sense of reflection: on the self, humanity and the important questions about the world.

Becoming reflects a desire to understand how perceptions of the world affect our ecological awareness.

Only Breath is inspired by “the collision of opposites” – an idea which Steve Anwar describes as a creative catalyst.

The Sound of Changsha Kiln harnesses digital innovation to project possible futures for disappearing ways of life.

Ben Power takes inspiration from graffiti, combining the essence of design and street art in an abstract way.

The Lace Collar echoes 17th century Dutch portraits of noblemen, informed by classical technique and life drawing.

Emma Berkery processes the human experience, evoking inner and
outer landscapes through paint.

In Iberis, handpainted swatches represent a bloom from the artist’s memory, as cells appear like pixels.

Joanna Cohn’s landscapes mimic the formation of Earth’s surface through natural and chemical processes.

Jongwoo Ahn uses traditional pigments from his home South Korea for studies of monochrome everyday objects.

Kathleen Beausoleil’s photo-based paintings focus on interactions during the Black Lives Matter protests.

Before You Call It a Tree melds paint, plant, print and environmental design as it records fading moments of beauty.

Nicholas Jones’ haunting acrylic paintings celebrate the sublimity of nature, alongside intimacy and wonder.

Stylised houses are inserted into fictitious landscapes, with cities occasionally glimpsed in the distance.

_____(NTIME) is a collection of illusory surfaces that prompt questions of presence and orientation.

In Construction lines and shapes collide, overlap, merge and vanish in a complex haze of geometric arrangement.

Ungrievable Lives is a harrowing display, depicting 13 children’s dresses made from discarded lifejackets.

There are more qualities that connect individuals than divide. This is at the core of Djeneba Aduayom’s expression.

Elisa Artesero uses light and text in spatial environments to address themes of transience, happiness and hope.

Getaway is a 10-channel video that uses the backdrop of a tragic event at the Everglades in the mid-1990s.

Is There Space for Empathy? invites individuals to step inside the installation together.

Paper Sculptures sees the artist combine film production and sculpture to play with perceptions of space.

In Inconsistency & Obviousness, fragments of paper are scattered in puzzle-like patterns.

Radiance Vertex uses mirrors, reflection and transparent materials to fill public spaces with luminous colour.

Jan Van Eijgen is fascinated by the body; he graduated as a physician and works in ophthalmology.

Lady Kitt is a UK-based disabled artist and drag king who describes their work as “mess making as social glue.”

Lisa Pettibone investigates human perception through the language of science, expressing energy and form.

Within the Wake is an ensemble of sculpture, sound and video that draws inspiration from canals.

Conflicto Interno (Internal Conflict), encourages viewers to think about the spirit of captive animals.

London-based sculptor Paul Bonomini’s L’Ascensione is a sprawling mass of interlocking metal tubes.

Each of the 100 puzzle segments in The Missing Piece are part of a publication that holds experiences of joy.

Quiet Ensemble specialises in unexpected audiovisual experiences, capturing the essence of things.

Tipping Point is a series of glass and wood installations, dominating everyday spaces from floor to ceiling.

Digital Being asks questions about the direction of technological development and its sustainability.

Hand Wash Only employs unique material techniques, contemplating processes of forgetting and memory.

Bird’s Summoner experiments with classical music, bringing performance and humour to an unassuming location.

“What makes us human?” is a question reflected in Brigitta Zics’ series of portraits distorting the face.

Filip Custic examines the impact of digital technologies on our conscience, identity and sense of self.

Lyndsay Martin combines film, found objects and photography to record emotional landscapes.

MASARY Studios produces site-specific installations that use sound, light, interactivity and performance.

NJ transforms code and raw data into painterly materials, transcending the boundaries of artificial and organic.

AI&I is a record of Sonia Levesque’s first year working with artificial intelligence tools like GPT-3 and DALL-E.

Limit Situation is set against a busy modern-day backdrop, defined by the information explosion on the internet.

Les Villes Invisibles depicts the Cathedral of Notre-Dame, allowing viewers to enter a 3D rendering of the building.

In Disquiet, a cloud tainted with red mist floats over a minimalist bedroom, combining two states: good and evil.

Oolong Tea documents vacuum packed materials, presenting readymades, Eastern tea and modern aesthetics.

Stillwater is a visual thinkpiece, taking viewers on a journey as it charters a single summer’s day at the coast.

Hylē exists between alchemy and science fiction, created from 3D laser scans of a forest and a server farm.

Bloodsound examines broken narrative, considering racism as experienced through the span of a Black life.

Joanna Penso works in audio, digital drawing and video to investigate human interactions in different contexts.

In Fortune Teller, the working conditions of South Korean aircrews are compared to the Radium Girls in the 1920s.

Canadian visual artist Laura De Decker develops computer programs to construct abstract images.

Lisa Roggenbuck deals with the impact of western beauty standards perpetuated by popular culture.

Documentary, found material, performance and poetry come together in Maryam Tafakory’s filmic collages.

Dance film Stay is a collaboration with artist Sam Williams, unpicking themes of grief, desire and the Black body.

Abstract, metaphor-laden narratives are Simon Robson’s signature, brought to life using high-end 3D software.

Somewhere to Swim was taken during Covid-19 lockdowns — minimalist compositions draw attention to the lifelessness of ordinary public spaces.

Intensive durational performances and films repurpose human subjects as tools, reflecting a cycle of burnout.

B♭Minor Arrangement for 3 Musicians and 1300m stages three trumpeters across the wide expanse of the Thames.