Brian Lomas’ Small Shops invites us on a tour of a lost cityscape: a world of hand-daubed signage, antique cash registers and family-run businesses.

Christopher Thomas captures merry-go-rounds, ice cream cones, bubble gum machines, circus tents and ferris wheels within desolate landscapes.

Signs and Symbols: Issue 102 considers the difference between “looking” and “seeing” –
how we view ourselves and the world around us.

Namsa Leuba is a Swiss-Guinean photographer and art director who focuses on African identity as seen through the western gaze.

Massimo Colonna is an Italian photographer, post-producer and retoucher who invents spaces that play with a sense of reality.

Karen Navarro calls upon photography, collage and sculpture to investigate the concepts of race, gender and belonging, and how they converge.

Gerwyn Davies is an Australian photographer who makes images that empower and conceal, combining hand-made costumes and edits.

Richard Mosse uses new imaging methods to recontextualise ecological catastrophe. His latest project looks at destruction in the Amazon.

Photographs relay information for the viewer, but what happens to the truth in the process? 10 new photographers work with these questions.

Hawkesworth’s latest project, shot over 13 years, offers a glimpse of Britain and its diversity, a celebration of photography without borders.

Artists have long sought inspiration in found photos. We consider the ethical implications of collage in an age of visual abundance.

Benoit Paillé’s hyperreal image series demonstrates how photography doesn’t, in fact, capture reality, but is an active creator of reality.

Thandiwe Muriu’s has been widely lauded for her distinctive style: clean, crisp and elegant, demonstrating the skill and vision of a rising star.

Butterflies encircle faces. Orange balloons float in mid-air. Deep blue leaves engulf bodies. Fares Micue is a self-taught conceptual photographer.

Jessica Backhaus arranges tiny paper cut outs in the Berlin summer sun. As the shapes begin to curl and bend, she captures their dance-like forms.

Eliza Bourner is a lens-based artist capturing cinematic self portraits of postmodern living; alienation, loneliness and unease.

What do tomorrow’s designers, makers and influencers look like? Nottingham Trent University’s Showcase provides the answer.

This year’s Wellcome Photography Prize shortlist turns the lens to issues surrounding mental health, global heating and infectious disease.

Circles of red, swirls of yellow, splashes of green. Colours blending, separating and pooling. These are kaleidoscopic works by SPONK.

Sarah Doyle’s images are bold, abstract and contemporary, with sand covered staircases, teetering matches and stacked pink discs.