Hannah Dolden explores bright and tactile soft furnishings, using cotton and elastic yarns to experiment with texture, shape and form.

Gemma Singleton explores how visuals can replicate the experience of a bio-organic world, through the duplication of plantlife or bodies of water.

Francesca Gillett focuses on the craftsmanship used in the Victorian era, combined with an analysis of nature and tropical shapes in the 21st century.

Sustainability is a huge influence on Hopkins’ practice, creating works that are ethically produced and have minimal environmental impact.

Lennard’s Modernist Patchwork explores the modernising traditional patchwork techniques, inspired by Spanish architecture and Surrealist artworks.

Camilla Olesky combines western neo-traditionalism with Wabi Sabi – inspired by the ideas of perfection and imperfection.

Rameel Siddiqui is a product designer with a strong focus on functionality and sustainability. He has always been naturally drawn to the world of design.

Mechanical and intricate, Kormos’ works transform animalistic characteristics through ball-bearing joints, hinges and rivets.

Manca’s work is inspired by everyday functionality and sustainable design ethics. She makes products which aim to improve the lives of others.

Fahmida Khan’s process is driven by the need to keep creativity alive. The designer has always been fascinated by patterns and colours.

Both decorative and highly functional, each of Di Hieu Vu’s products either have a story behind them, or a seek to find a solution to a problem.

Connor Wall’s Mundbyrdan is designed to improve sleeping habits, protecting the user from signals released by phones and computers.

Karla Witcombe’s final project centres on meditation as a tool for young people dealing with stress, anxiety and panic attacks.

Developing brand identities is Natalia Gasior’s passion, working to create new concepts through effective, well researched design.

Inês Segadães is inherently interested in in creating, developing and shaping the outlook of distinctive and contemporary brands.

Holly Bryant is a compassionate designer with a strong focus on ethics. She strives to tackle complex issues by using a simple imagery.

Ellie Covington’s design work greatly relies on using imagery to create a narrative, acting as a primary method of visual communication.

Inspired by her work with the RSPCA, the aim of Elise Smith’s project is to modernise the dog re-homing experience for new owners.

Charlie Batterbee combines her editorial designs and ideology to produce books about educating people on health and wellbeing topics.

Calin Bota loves motion design. Graphic design has enabled him to balance a need to explore creativity in abundance and learn about different topics.

Becky Place believes that inspiration is around all of the time, but you need to allow it to come in. She is inspired by elements of gaming and photography.

For Aribah Rizvi, graphic design can be used to inform and educate. Rizvi’s project considers the traumatic aftermath of the Syrian Civil War.

Zana Xhambazi’s REPULSIVE PULSE: Pins&Needles is a minimalist collection focused on experimentation in androgyny and genderless fashion.

Tulia Rooney’s Unrequited Love explores the feelings experienced by those with mental illnesses, reflected by experimenting with fabrics.

Nicole Robinson’s collection addresses the inequality between menswear and womenswear, raising awareness to the feminist movement.

In this collection, Naomi Hopkins combines a rebellious and aggressive nature with gender neutral fashion, combating traditional stereotypes.

Myriam Pindi’s collection was inspired and developed from an increasing fascination and appreciation of Parisian high-end fashion.

Lorena Cecilia Peña believes that garments represent so many things that unite and divide us: they become armour for the wearer.

Messider’s collection The Commitment to Perfection is empowering and feminist, inspired by the 1950s styles and digital glitch visuals.

Jessica Haines’ inspiration has always came from her grandad, researching and incorporating key themes from his life into her collection.

For Elice Nelson’s final year collection, she created a AW20/21 menswear collection inspired by Grime music and London street culture.

Meet five of our talented Main and Emerging Aeshetica Art Prize winners. These artists use video to hold up a mirror to the world around us.

Veronique Boyens’ photography series, At a Distance, embraces a new normal as the globe moved into lockdown and a period of isolation.

Woodall designed an inner-city community kitchen in response to studies into loneliness and depression concerning young people.

Afreen Fazil’s final project explores the evolution of Arabic typography from angular Phoenician texts to the current cursive Arabic scripts.

Hounslow is fascinated by vehicles and the variations of design that have developed over time, as well as what the future holds for transportation.

Responding to a UN report that up to one million species are endangered, textile designer Amy Dance, works with new visuals and sustainable materials.

Alexander Eyles’ work is inspired by a long-standing passion for innovation, whilst supporting those in need, finding considered and viable solutions.

Vita Krasniqi’s focuses on interior architectural projects in various scales for retail, residential, commercial and exhibition design.

With Space-pod Commercial interiors, Islam strives to to explore interior styles that create a beautiful balance between traditional and modern.

Rudina Shala is interested in residential design, landscape design and has a passion for environments that induce a sense of movement and emotion.

Mia Del Rosario is interested in improving a spatial environment by using current trends to achieve a more aesthetically pleasing setting.

Louna Aissi’s work is an effort to design a cultural centre that provides for the existing local Moroccan community of North Kensington, London.

Georgina Nadin has developed a great interest in abandoned and dilapidated buildings, delving deeper into building restoration, preservation and reuse.

Multi-sensory experience is an area of design that Emma Hatcher has been drawn to, designing spaces where one can become part of the experience.

Surviving the Future is a project that looks at how certain circumstances, such as war and civil unrest, can change the way people want to live.

Becky Thick’s final project focuses on the theme of anti-social behaviour. Her campaign addresses the issue through a variety of media.

Abigail Igglesden’s project considers the effects alcohol has on our bodies, community, wellbeing and environment, addressing sustainability issues.

Danielle Feheley’s final piece was developed to create a completely sustainable collection by upcycling vintage denim.

Maddie Baxter uses Creative Advertising as an outlet to develop ideas that are based on a rich tapestry of inspiration and experiences.