Bethany Wilson’s work explores bodily landscapes through drawing, mark-making and staining with inks and watered-down pigments.

Making sculptural obstacles is a main theme within Lucy Nettleton’s practice; the artist compels the audience to engage with her work.

Illustrator Amelia Wilson-Wood’s energetic imagery is focused on organic and natural forms – combined with a love and passion for music.

Hope Mitchell-Graham’s craft-based work focuses on her identity as a woman and how this intersects with a new identity as a disabled person.

Laura Campbell communicates her experience of chronic illness and the impact it has on the body through intimate and intrusive artworks.

Luca Roys is invested in “night studies” as a genre that delights and inspires, as familiar places are cast as underworlds of play and potential.

Method and media are interconnected in Ashlee Hallas’ portfolio. Her approach often consists of deconstruction and collage.

Maria Anderson is an abstract artist whose work challenges personal identity within the surrounding environment.

Evie Webb is a photographer exploring the innate merit, necessity and virtue of mortality and the ageing process, harking back to Dutch Vanitas.

Architecture and the landscape provide inspiration for Alexandra Ene, who highlights the relationship between nature and the manmade.

Jack Bowman is a studio portrait photographer interested in the properties of visually compelling aura imagery.

Steventon’s work explores the link between writing and sewing, stitch and word. It’s an exploration of communication and messaging.

Grace Alison used photography, sculpture and craft media to create a multi-dimensional series exploring her Nana’s home after being unused.

Sophie Rothwell’s The Archives superimposes one moment in time on top of another, with the image highlighting its own construction.

Sophie Martin’s practice considers 2D and 3D approaches to painting through the use of multiple delicate and easily manipulated materials.

Natasha Ahmed is an artist who lives and works in Sunderland. She takes an abstract approach, with texture and colour being the main factors.

Sarah Dallow’s work is centred on the portrayal of the female body, combining flesh with unfurling petals, framing limbs with a delicate touch.

Mia Ferullo uses self portraiture as a method to regain control over the perception of one’s body, depicting her figure unapologetically in paintings.

Manipulating light is Amy Majed’s primary aesthetic, with both artificial and natural light coming together in an amalgamation of forms.

Morgan Scott creates illustrations and sculptures based on female empowerment and sexual liberation, questioning representations of women.

John Cutting is driven to create awareness of the neglectful interferences that mankind has imposed on their natural surroundings.

Sjon Barnes explores “Non-Places”, which he defines as a space that, without humanity or the idea of capitalism, would cease to exist.

Steph Williams’ latest work addresses her experience of life in Covid19 lockdown: a personal struggle with the turmoil of heightened anxieties.

Jess Hargreaves describes her practice as “contemporary irreverence.” Through her work, she translates personal reactions to the everyday.

Emma Henderson is a queer visual artist from Yorkshire who mainly uses photographic practice to produce gender-bent and LGBTQ+ inspired art.

Sophie Cown is an architectural photographer whose work is built upon capturing and altering the perception of modern buildings.

Jay Villacci’s Alienation series of photographs conveys a sense of abandonment and entrapment prevalent within British identity.

George Strachan’s drawing-based practice is rooted in experimentation, process and enquiry – making rubbings from a textured surface.

Ellie Greensmith’s work taps into the widespread emotions from the past 12 months, exploring crucial conversations about mental health.

Jake Stephenson roams the Yorkshire landscape, producing square format monochrome photographs of the region’s Brutalist architecture.

Ilyscia is a digital artist whose focus on characters and the human figure are inspired by manga, and provide an intimate lens into a fantasy narrative.

Jess Thompson is a portrait photographer who uses her camera as a tool to enhance wellbeing alongside a reflective practice.

Lauren Summerson is a photographer whose work centres around portrait and product photography. She uses images to explore socio-political issues.

Liv Sanderson’s aim is to produce images which best describes her subjects and portrays them in a light that best represents them.

Penny Park is a photographer who explores the tension between nature and manufactured structures by capturing neglected environments.

Jack Tyler Kennedy is a photographer whose interests vary from landscapes and portraiture to the abstract, to show the beauty of the world.

Molly Leigh’s work explores gothic horror themes of the monstrous, isolation and the occult, with focus on relationships between characters.

The recent work of Matthew Jinks focuses on media and social canon – and how its impact can affect the viewpoints of society,

Alison Ellis is an illustrator; a love of dragons drives her to create monsters and other characters, as expressed as prints, zines and sculptures.

Logan Downie’s illustratrations are used as a celebration of fantasy and horror genres as well as for their subtextual links to queer identity.

Photographer and photo editor Rachel Howard explores cultural and socio-political issues relating to mental health, sexuality and gender.

Yuko Mizobuchi is a “neo-primitive” Japanese artist. Shew has recently opened the BrainBrunnGALLERY in Tokyo – a space built around freedom of imagination, where viewers are encouraged to have primitive, innate responses to art, unrestricted by the uniformity of white wall galleries.

This June, discover must-see online shows, publications and videos – featuring powerful and inspiring artwork from across the globe.

Tekla Evelina Severin’s dusky pinks, forest greens and pale yellows reflect a new interpretation of space, presenting a radical redefinition of home.

Natalie Christensen is a photographer based in Santa Fe, New Mexico, known for minimalist abstractions of the American Southwest.

What is the performative power of architecture? Andrea Grütnzer asks such questions, hovering between the familiar and unfamiliar.

Recharge and Reset, the 101st edition of Aesthetica, highlights artists and curators initiating change, and bringing important and critical works to light.

Matthew Shlian is an artist and paper engineer, innovating in the field of contemporary origami through folds, compressions and extrapolations.

High Museum, Atlanta, has a laudable aim: to confront gender imbalance in photography. A radical examination of institutional programming.

Palm Springs modernism has influenced culture from the 1940s onwards, from Hockney’s paintings to the rise of open-plan architecture.