Sustainable clothing shop, Switch, shows audiences that shopping second-hand doesn’t have to be dreary or difficult, and helps save our planet.

Rebecca Cochran’s final major project is about female inequality in the gaming industry. Glitch Awards focuses on inclusivity and diversity.

Emma Pearson’s project was based around the ADHD brain and overstimulation, exploring the less commonly spoken about symptoms.

Not only has Bucks showed the artist how to find a place in the creative industry, it has given Charlotte Frankel the tools to create a unique ad.

Brand identity interests Harrison Holt, a designer who has always had an urge to help people. Holt is looking toward future projects and collaborations.

Cleo Sloggett’s project is based upon the experimental testing and manipulation of fabrics: stretching, shrinking, ripping, sewing and burning.

Eleanor Elson takes a deep dive into salt – exploring in its physical forms, as well as its chemical properties, to ask questions about value.

Lucy Hazell develops garments inspired by Brutalist architecture and nature, combining organic forms with manmade structures.

Giesle and Katie are a Creative Advertising duo whose work is a mixed pot of different ideas – showcasing their skills across all kinds of brands.

Izzy Howden’s project explores Greek mythology from a modern female perspective. 86 identical screen prints are based upon The Rape of Persephone.

McNeill’s publication is dedicated to educating audiences on animal extinction – exploring why it happens, who causes it and how to prevent it.

Embracing period hair and makeup, Scott Davies has fine tuned a passion for special effects, whilst embarking on daring editorial projects.

What do people do in Croxley? Mancey looks at the daily lives of people who live there, documenting how and where they spend time.

Georgia plus Kia are a Creative Advertising team built at Bucks, currently living, laughing and loving as Creative Strategists at TikTok.

Alex Sayers’ project is about colour and people. The artist set out to explore the connections people have to colour, breaking down binaries.

Lydia Edmonds’ niche lies with hairstyling and wigs, with a favourite look of 1920s finger waves. This project is based on Victorian children’s toys.

Refika Salih is a makeup artist who takes inspiration from The Brothers Grimm fairy tales, in which a character disguised herself as a bird.

Madeleine Morgan explores body language, looking at how someone’s physicality may change in response to how they have been told to behave.

Ella Woodcock’s project is about “collective joy”, and is inspired by the places the artist would go to before the pandemic to enjoy music.

Charlotte Ketteridge has designed a new festival informing 16-24-year-olds about the benefits of positive actions and thinking in everyday life.

How often do you ask where your clothes come from? Ahmed’s campaign was created to shed light on issues arising from fast fashion industries.

Sydony Greenwood has focused on the Hans Christian Andersen version of The Little Mermaid, designing a series of six sets filled with emotion.

“Within my work I empower designing for change.” Courtney Seymour designs a brand of chai tea that donates 25% of its profits to charity.

Carolyn Gordon has created three contemporary, modern day make up looks based on Greek gods: Poseidon, Aphrodite and Artemis.

Emily Marshall’s interest in space travel forms the inspiration for her project; various techniques were used to reflect an understanding of target audiences.

Robyn West’s practice explores the ramifications of the fashion industry and vanity sizing as part of an ongoing cultural investigation.

Niamh Warren’a final project is a sculpture, which centres on the human feelings of fear – conjuring alarm bells and the fight-or-flight instinct.

Isabella Inga considers the concept of emotional contagion – how empathetic responses can be generated through bold and expressive artwork.

Abigail Hawkes’ final project produces a form of advertising for a young adult crime fiction novel, This Lie Will Kill You (Chelsea Pritcher, 2018).

Laura Jane Sessions’ portfolio is built around archetypal representations of women; she uses prosthetics and sculpture to explore stories.

Caitlin Martin focuses on functionality and the consumer. For her final project, Martin produced the branding for a healthy fast-food delivery service.

Rhiannon Campbell’s thorough and focused research underpins her empowering work. She is passionate about human rights and equality.

Sarah Creasey combines a range of physical procedures, such as painting and collage, plus working with digital software programmes.

Mixed-media and fibre art and the starting point for any piece made by Zeena Morris. Detailed research is undertaken to explore new technique.

For Jade Rawkins, graphic design is about telling a story. She notes: “I have become passionate about designing graphic props for film and television.”

Claudia Mendes’s graphic design project addresses fast fashion and its impact on the environment and contemporary culture.

Aila Khan holds a BA Honours Degree in Product Design; the Moderniso Cabinet was created for functional and decorative purposes.

Illustrator John Kenady Eruthayanathan’s final project focuses on raising awareness of the history and ongoing inequalities in Sri Lanka.

Aleksandra Budnik has recently been commissioned to create a series of 20 illustrations for the main gallery at Discover Bucks Museum.

Sue Elder has embraced a variety of disciplines within illustration and design; for her final project she focuses on illustration for children’s books.

Dimitar Zyumbyulev uses various media and processes; the artist’s final project focuses on plastic pollution and its impact on marine life.

Housna Shah’s interest lies in the luxury retail market. Her final project focuses on romantic florals and is inspired by Afghan folk dances and weddings.

Lydia Manley-Leach ‘s final project explores the historical aspects and symbolism of folklore through vibrant, colourful textiles.

Lindsey Leverton’s reflects an appreciation of the UK’s natural diversity; research was collected from landscapes of personal resonance.

Tamsen Mellor-Gardner’s aims to create awareness of the Save the Bees campaign; she uses colours and fabrics that may not be available in future.

Gerda Pustelnikaite is inspired by the uncertainty of the design process and views fashion is a form of art.

Flora Mitchell’s aim is to give others the tools and confidence – in the form of garments – to explore and express their true identity without restrictions.

Mattie Clyne’s Spring/Summer collection is inspired by the traditional clothing of Russian and Afghan cultures connected to her family.

Designer Nicole Siddle is inspired by the versatility of street style and views it as a way for people to express who they are without having to speak.

Philomene Olofio’s collection is inspired by African design patterns and also by Dr Martin Luther King Jr’s “I Have a Dream’’ speech.