Underwater Art: Wet Sounds @ Bethnal Green
Review by Paul Hardman The fun of visiting Wet Sounds at York Hall Pool in Bethnal Green actually began long before arriving. Explaining to friends…
Review by Paul Hardman The fun of visiting Wet Sounds at York Hall Pool in Bethnal Green actually began long before arriving. Explaining to friends…
Interview by Bethany Rex Wimbledon Art Studios is the largest, single site art studio complex in the UK; we caught up with their Artistic Coordinator…
Review by Regina Papachlimitzou If Destroyed Still True is the culmination of two years work by performance company Sedated by a Brick. Performed in the…
Martin Creed: Thinking / Not Thinking (Work #1090) from Martin Creed on Vimeo. Review by Kathryn Evans Last week Martin Creed and his band showcased…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. Aidan McNeill’s first solo…
Review by Carla MacKinnon New York based artist Dustin Yellin creates his unique work by layering 2D images between sheets of glass to create extraordinary…
Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. “This is our romance,” state…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. Louise Bourgeois and Tracey…
Review by Regina Papachlimitzou Cosima von Bonin’s exhibition Bone Idle is permeated by contradiction. Her work, aiming to explore notions of sloth and fatigue, comprises…
Harper Lee’s To Kill A Mockingbird (1960) is one of the most widely discussed novels; dealing with racial inequality, violence and rape, it summarises a…
Review by Paul Hardman Walking first up stairs into the dark, then along a black felt lined corridor, around a corner and finally into an…
Review by Colin Herd Jean-Marc Bustamante, who represented France at the Venice Biennale in 2003, began his career as an assistant to the renowned fashion…
Examining the world in a state of flux, Russian artist, Anna Parkina, uses collage to critique current social, political and economic trends.
Review by Kenn Taylor Born in Zambia, Carey Young (b. 1970) grew up and studied in Manchester. She now works internationally utilising a variety of…
Review by Jaga N.A. Argentum In his first solo exhibition, Dick Flash’s Souvenirs of Thought, Zhivago Duncan invites us to accompany him and his protagonist…
Review by Liz Lau The title of the show Ordinary Time is a reference to where the date of the exhibition falls on the liturgical…
Review by Alistair Quietsch Dirk Bell’s work is a diverse mix of masterly observed drawings, minimalist sculpture and an artistic play with technology. Upon entering…
Review by Regina Papachlimitzou The quietness and stillness you might generally associate with the blank page is challenged and eventually rejected in the artworks showcased…
Review by Nathan Breeze Last summer, when struggling to find a job in London I stumbled across an intriguing advert online seeking volunteers to help…
Review by Matt Swain Thomas Houseago is a British contemporary visual artist based in Los Angeles, California. What Went Down is his first major solo…
Works by some of the most famous names in the world of art are coming to Yorkshire this year as part of a compelling programme…
Review by Regina Papachlimitzou The Mechanical Animal Corporation, a new Bristol-based theatre company dedicated to creating site-responsive theatre, have chosen an abandoned warehouse in the…
Review by David Gunn, Director of www.theincidental.com “I didn’t want to be involved with the currency of images in any way … I was interested…
Review by Colin Herd At the heart of this extensive survey of Rosemarie Trockel’s works on paper is a corner-wall of the central gallery devoted…
Opening on 3 March, The Serpentine Gallery presents the first major exhibition of Nancy Spero’s work since her death in 2009. Nancy Spero (1926–2009) was…
Preview by Bethany Rex Scapes opens next week at Tenderpixel in London. A new project part commissioned by Tenderpixel, Scapes is a new installation by…
Leap Year delivers an emotional and graphic examination of loneliness through the listless life of journalist Laura.
Bella is a beautifully shot film, and has a narrative that viewers will relate to, easy to watch because of its deep exploration of personal choice.
Slingshot follows a group of petty criminals or “tiradors” (in local slang), in a slum neighbourhood in Manila.
By turns sinister and tragic, Catfish makes use of the various social mediums and communications that replace face-to-face contact in the modern world.
When Alice is imprisoned in her own house by the psychotic David, it isn’t long before David develops a misguided relationship with his prisoner.
I’m Still Here is the directorial debut of Oscar-nominated actor Casey Affleck, a bizarre portrayal of a year in the life of acclaimed actor Joaquin Phoenix.
Birds Eye View’s Rachel Millward talks about how their popular film festival applauds the creativity and brilliance of women in film.
Marc Evans’ latest film, Patagonia, looks at the idea of homeland, history and belonging through a parallel narrative.
Simon Oldfield is the director of Simon Oldfield Gallery. Over the past few years he has established the gallery as one of London’s most exciting new spaces. Aesthetica speaks to the gallerist.
Oxford five-piece The Epstein’s, debut I Held You Once is a mesmerising mix of warm American West Coast-style folk rock, with a spectral cinematic sound.
Plastic jewel case? Boring. Although it’s been part of the scene for years, indie artists are waking up to the potential of unique album packaging.
Lumiere is a departure from O’Halloran’s previous work, adding strings and subtle electronics to his piano work and using ensembles to develop a deeper texture.
Telekinesis is Michael Benjamin Lerner, coupled with guitarist Chris Walla. 12 Desperate Straight Lines follows up their debut album, Telekinesis!
Taking their name from a Dutch folk story, Brighton trio Ebsen and the Witch has been building an almost spectral image of themselves since releasing 33 in 2009.
Daniel Martin Moore’s In The Cool of the Day is quiet and subtle. Encompassing serene vocals with emotive piano, it’s an album that grows on you.
Listening to Joan Wasser’s (aka Joan as Police Woman) voice it is hard not to be enchanted by her sheer effusion.
What’s immediately striking from the first belt of Lou Hills’ soaring vocals is the rising momentum in this album.
Improvisational theatre and performance has experienced widespread popularity on TV and radio, but to what extent do props and visuals inform performance?
Elaine di Rollo is the author of Bleakly Hall. Set at a hydropathic in post-WWI Britain, we see values change, and meet characters dealing with war’s aftermath.
In The Afterparty, Leo Benedictus combines reality and fiction to present a funny, but ultimately moving account of the ups and downs of being a celebrity.
Hella Jongerius explores the boundaries between design, craft, art and technology in an eclectic practice that combines traditional and contemporary influences.
Robert Rauschenberg is one of the most influential post-war American artists, and this chronology offers a record of the artist’s oeuvre spanning nearly 60 years.
As tote bags have progressed from basic canvas to a myriad of designs and messages, they have ultimately become an extension of the carrier’s wardrobe.
Ceri Radford is the author of a popular Telegraph character blog, which helped to inform her debut featuring quintessential Home Counties wife, mother and village bell-ringer, Constance Harding.
