Vija Celmins, Television and Disaster (1964 – 1966), LACMA, LA.
Review by Jareh Das Los Angeles County Museum of Art presents an intimate exhibition of Vija Celmins works, focusing on the artist’s time in Los…
Review by Jareh Das Los Angeles County Museum of Art presents an intimate exhibition of Vija Celmins works, focusing on the artist’s time in Los…
Review by Jareh Das As you approach mima (Middlesbrough Institute of Modern Art) in Centre Square the viewer is confronted by a resounding female operatic…
Review by Jareh Das Lebanese artist, theatre director, playwright and actor, Rabih Mroué presents his first UK solo show at iniva which centres around ongoing…
Review by Kara Magid, a candidate for the MA in Art History at Richmond, The American International University in London. Painters George Shaw and Karla…
WOKA was born in 1900, they produce handmade reproductions of exclusive lighting-fixtures from the early 20th century. Handmade in Vienna, with original tools using the…
Review by Matt Swain Modern Art Oxford hosts Michael Sailstorfer’s first solo presentation in the UK, comprising mixed-media sculptural interventions exploring notions of flight, movement…
Francis Alÿs: A Story of Deception at The Museum of Modern Art and MoMA PS1 opens on 8 May, drawing upon MoMA’s unique and important…
Review by Angela Darby For the exhibition Secret Satellites curated by Karen Downey, the Belfast Exposed gallery has been divided into three distinct sections. The…
Review by Jessica Jones-Berney It is with acerbic wit that Iranian-born artist Hesam Rahmanian deplores the rapidly unravelling fabric of his native land, consumed by…
Review by Adam Harangozó For the opening event of the Croatian Culture Months, the Hungarian National Gallery has arranged a rich exhibition from the works…
Review by Laura Barone,, a candidate for the MA in Art History at Richmond the American International University in London. It’s only April, but what…
Review by Regina Papachlimitzou Speaking in relation to the second major controversy he triggered in a course of a creatively chaotic life (namely, his deal…
Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. A visit to Whitechapel Gallery…
Review by Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. Calvert 22 is a not…
Review by Ruby Beelsey The latest in a string of blockbuster shows at Tate Modern, Joan Miró needs no introduction. As one of the defining…
Review by Colin Herd The names of difficult-to-get-hold-of and in some cases discontinued-altogether photographic film have something of the poetry of a catalogue of obscure…
Review by Kenn Taylor A Sense of Perspective deals with the in between and the undefined, in a groundbreaking exhibition developed and curated by young…
Interview by Bethany Rex Nottingham Contemporary is one of the largest and most ambitious contemporary art spaces in the UK. Designed by Caruso St John…
Review by Sarah Richter a candidate for the MA in Art History at Richmond the American International University in London. Haven’t we all wondered if…
Review by Nathan Breeze If you’re a regular visitor to the V&A you would have noticed a gradual and ambitious series of renovations and expansions…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. The space at Tenderpixel…
Review by Nathan Breeze Touring six major European culture halls, Liebestod was a cross-genre performance by the Amsterdam Sinfonietta exploring the interaction between Classical Music…
Review by Paul Hardman This exhibition, the first dedicated to Pino Pascali in the UK, focuses on works from 1967 and 1968, the last few…
Review by Regina Papachlimitzou Yellow Wallpaper, inspired by Charlotte Perkins Gilman’s story of the same name, examines and unravels themes of spatial confinement, escape and…
Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. Lisson Gallery’s newest exhibition highlights…
Review by Carla MacKinnon Wellcome Collection, a free visitor destination for the incurably curious has established an excellent name for itself as one of London’s…
Interview by Bethany Rex Clare Price’s new work represents a departure from the strictures of her previous work. Whilst adhering to the familiar formalist rules…
Interview by Bethany Rex Featuring works by Agata Agatowska, Geraldine Cox, Chris Dunseath, Sam Knowles, David Rickard and Chooc Ly Tan, Beyond Ourselves opens tomorrow…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. The Victoria and Albert’s…
Review by Alistair Quietsch With the recent announcement of the Arts Council England (ACE) cuts and funding decisions, the disbandment of the UK Film Council…
Review by Adam Harangozó Stepping into the exhibition, it’s immediately evident why it is called Critical Spaces. It is in a small room, and all…
Von Rydingsvard’s art is deeply personal, confronting the artist’s hardship. This essay is sensitive, yet critically engages with the works and presents an overview of the artist’s four decade career.
Presenting an intimate portrait of the lives of French farmers from the Forez region, on the eastern side of the Massif Central, In the Face of Silence is a powerful and emotive account.
With the die-cut stencils and stencil typeface this book provides, it’s tempting to go straight outside and start marking your territory, however there is a wider message at play here.
Gail Jones, twice nominated for the Orange Prize and once for the Man Booker Prize, explores the lives and pasts of strangers in her latest offering.
Is the novel dead? Is art theft? Can you copyright reality? These are just some of the questions asked (and answered) in David Shields’ manifesto, Reality Hunger.
Adrian Mole for the new generation, Oliver Tate is a wonderfully bright narrator and Dunthorne captures the bittersweet melancholy of the teenage years with great wit and honesty.
To stand up in the world of fashion photography takes hard work, skill and endless amounts of creativity. Pedro Janeiro is a rising-star in this genre.
Exploring the moment, highly acclaimed director and photographer, Wim Wenders, brings his distinctive style and sensitive imagery to London.
15 international artists exhibit in a ground-breaking exhibition that deciphers new meaning within the difference between making and thinking.
With materials taking precedence, two new site-specific works explore the nature of narrative creation and memory.
James Turrell’s latest site-specific work, opening this spring in Sweden, creates interplay between the body and light.
Self-funded, and making use of borrowed locations, this drama examines the profound personal impact of the US Army’s “Don’t Ask Don’t Tell” policy.
My Kidnapper is the culmination of an interaction in which Mark Henderson and three of his fellow captives return to Columbia to meet their abductor.
Rubber is surreal and bizarre, but just when connections are made, Dupieux cleverly reminds you that there is no reason, and after all you are watching a film about a killer tyre.
The Arbor tells the powerful true story of Bradford playwright Andrea Dunbar and her daughter Lorraine.
Archipelago comments on the dynamic and often complex relationships between family members and wonderfully exposes moments of inner-awkwardness.
City Island is a touching and funny tale set in a quaint fishing village unexpectedly located in the midst of the Bronx.
Review by Alistair Quietsch Seeped in conceptual layering and research, Jeremy Millar’s current show at the CCA is at times, a seemingly disparate show of…
The UK Film industry has taken a few major blows recently. In the face of this, British films are being picked up by overseas film festivals: next stop, Tribeca.
