Review by Regina Papachlimitzou The Mechanical Animal Corporation, a new Bristol-based theatre company dedicated to creating site-responsive theatre, have chosen an abandoned warehouse in the…

Review by David Gunn, Director of www.theincidental.com “I didn’t want to be involved with the currency of images in any way … I was interested…

Review by Colin Herd At the heart of this extensive survey of Rosemarie Trockel’s works on paper is a corner-wall of the central gallery devoted…

Opening on 3 March, The Serpentine Gallery presents the first major exhibition of Nancy Spero’s work since her death in 2009. Nancy Spero (1926–2009) was…

Preview by Bethany Rex Scapes opens next week at Tenderpixel in London. A new project part commissioned by Tenderpixel, Scapes is a new installation by…

Leap Year delivers an emotional and graphic examination of loneliness through the listless life of journalist Laura.

Bella is a beautifully shot film, and has a narrative that viewers will relate to, easy to watch because of its deep exploration of personal choice.

Slingshot follows a group of petty criminals or “tiradors” (in local slang), in a slum neighbourhood in Manila.

By turns sinister and tragic, Catfish makes use of the various social mediums and communications that replace face-to-face contact in the modern world.

When Alice is imprisoned in her own house by the psychotic David, it isn’t long before David develops a misguided relationship with his prisoner.

I’m Still Here is the directorial debut of Oscar-nominated actor Casey Affleck, a bizarre portrayal of a year in the life of acclaimed actor Joaquin Phoenix.

Birds Eye View’s Rachel Millward talks about how their popular film festival applauds the creativity and brilliance of women in film.

Marc Evans’ latest film, Patagonia, looks at the idea of homeland, history and belonging through a parallel narrative.

Simon Oldfield is the director of Simon Oldfield Gallery. Over the past few years he has established the gallery as one of London’s most exciting new spaces. Aesthetica speaks to the gallerist.

Oxford five-piece The Epstein’s, debut I Held You Once is a mesmerising mix of warm American West Coast-style folk rock, with a spectral cinematic sound.

Plastic jewel case? Boring. Although it’s been part of the scene for years, indie artists are waking up to the potential of unique album packaging.

Lumiere is a departure from O’Halloran’s previous work, adding strings and subtle electronics to his piano work and using ensembles to develop a deeper texture.

Telekinesis is Michael Benjamin Lerner, coupled with guitarist Chris Walla. 12 Desperate Straight Lines follows up their debut album, Telekinesis!

Taking their name from a Dutch folk story, Brighton trio Ebsen and the Witch has been building an almost spectral image of themselves since releasing 33 in 2009.

Daniel Martin Moore’s In The Cool of the Day is quiet and subtle. Encompassing serene vocals with emotive piano, it’s an album that grows on you.

Listening to Joan Wasser’s (aka Joan as Police Woman) voice it is hard not to be enchanted by her sheer effusion.

What’s immediately striking from the first belt of Lou Hills’ soaring vocals is the rising momentum in this album.

Improvisational theatre and performance has experienced widespread popularity on TV and radio, but to what extent do props and visuals inform performance?

Elaine di Rollo is the author of Bleakly Hall. Set at a hydropathic in post-WWI Britain, we see values change, and meet characters dealing with war’s aftermath.

In The Afterparty, Leo Benedictus combines reality and fiction to present a funny, but ultimately moving account of the ups and downs of being a celebrity.

Hella Jongerius explores the boundaries between design, craft, art and technology in an eclectic practice that combines traditional and contemporary influences.

Robert Rauschenberg is one of the most influential post-war American artists, and this chronology offers a record of the artist’s oeuvre spanning nearly 60 years.

As tote bags have progressed from basic canvas to a myriad of designs and messages, they have ultimately become an extension of the carrier’s wardrobe.

Ceri Radford is the author of a popular Telegraph character blog, which helped to inform her debut featuring quintessential Home Counties wife, mother and village bell-ringer, Constance Harding.

The Lake of Dreams is a delicate exploration of family dynamics. Lucy Jarrett returns home after many years absence to a changed place.

Great House is from the author of The History of Love; incorporating the same disconnected threads of narrative and combining to forge connections between seemingly different lives.

Haroon Mirza challenges the boundaries of sound, noise, music and art in one of his latest offerings which opened in February 2011 at Lisson Gallery.

Isa Silva and Lottie Davies are two very different emerging female photographers, each demonstrating both concept and aesthetics, drawing a surprising parallel.

The artist who needs no introduction takes over London with a massive retrospective at Tate Modern and new works at the Timothy Taylor Gallery.

In recent years, photography has become the most accessible and affordable art form. With this in mind, photographers must drive the medium forward.

Review by Alistair Q As you come off High Street and enter the beginnings of the bedraggled East End, across from a noisy new construction…

Review by Paul Hardman Window Paintings: Gareth Cadwallader The new Gareth Cadwallader exhibition at the Hannah Barry Gallery, Peckham gathers much of its resonance not…

Review by Nicola Mann Case Study: Loch Ness (Some possibilities and problems), 2001-2011. Gerard Byrne grew up in Dublin in the 1970s. It was a…

Review by Bethany Rex The Northern Art Prize celebrates and rewards contemporary visual artists based in the North of England. Now in its 4th year…

Review by Bethany Rex Presenting over 100 galleries and featuring some exceptional contemporary work from leading figures and emerging talent, this year’s London Art Fair…

We continue our Q&A with the Aesthetica Short Film Competition winners with some insights from filmmaker Shaun Hughes. Shaun’s film, Mother, is an intense and…

Review by Regina Papachlimitzou Unon entering What Next For The Body, you are greeted by a warm and comfy lounge, complete with inviting brocade sofa…

Review by Colin Herd Every year, Sabhal Mòr Ostaig, the centre for Gaelic language and culture on the Isle of Skye, hosts an artist residency…

Review by Emma Cummins In a world saturated with images; with photographs, films, videos and video art; Marcel Dinahet’s work is a welcome reprieve. Now…

Q&A with Alice Lobb, Gallery Programmer at artsdepot. Artsdepot an exciting and vibrant arts venue in North London, committed to providing a diverse range of…

Review by Robert J. Wallis & Tiffany Jow Dr Robert J. Wallis is Professor of Visual Culture and Director of the MA in Art History…

Review by Charles Danby From Grafton Street there was little to see. The large glazed exterior of London’s Sprüth Magers offered a near empty room…

Review by Kenn Taylor As we move into the second decade of the 21st century, it appears as if “media art” is finally being accepted…

Review by Isabella Andronos Sherrie Knipe’s work in Bootiful, at Sullivan+Strumpf Fine Art in Sydney explores the tensions between consumerism and desire. Knipe has created…

Review by Colin Herd As processes go, few are more mysterious and fascinating than the seemingly paradoxical art of camera-less photography. With its roots in…