The comprehensive project América Latina 1960-2013 is a bright example of a discourse presentation in a frame of exhibition space. It aims to give a panorama of Latin American photography from 1960 up to today, and unites 72 artists from 11 countries.

The Catlin Guide 2014 will present the very best in Britain’s most talented new artists. The publication will be available to the public from January at this year’s London Art Fair.

The first major large-scale retrospective in Europe devoted to Photorealism surveys the genre’s development from the 1960s to today through works by Charles Bell, Audrey Flack, and others.

Grayson Perry’s recent work is inspired by Hogarth’s 18th century series, A Rake’s Progress. Perry has applied the narrative to contemporary society, and executed it in the form of six tapestries.

Influential photographer Paul Reas has documented the experiences of the working class. This project comes together in the international premiere of his first major retrospective at the Impressions Gallery.

Georgia Rose Murray uses the subconscious to form coherent narratives for paintings. She clarifies its messages by analysing and depicting them in conjunction with her subjective experiences, through the act of painting.

Discover the highlights from this year’s Aesthetica Short Film Festival and watch a selection of the films we screened across the city of York.

Hoarding photographs, art books, newspaper clippings and found items that took her fancy, Vivian Maier filled storage lockers with her bric-a-brac and over 100,000 negatives.

Atiq Rahimi’s The Patience Stone is built upon the ancient Persian myth that the syngué sabour is a confessional tool, an object on which you can lay all your secrets, your despairs and your rage.

Maroesjka Lavigne spent four months travelling around Iceland in the months between winter and spring photographing this intriguing country along the way.

In this incredibly authoritative volume, Marie-Puck brings back to life her father’s photographs and exhibition chronology.

Over the past decade the number of music documentaries under production has significantly increased, and there doesn’t seem to be a clear cut reason why.

Utopia delves back into the White Australia Policy of 1901, which effectively introduced a form of Apartheid as virulent as anything seen in South Africa.

Adapted from Niall Griffiths’ compelling novel, Kelly + Victor is an intense love story with harrowing overtones.

German artist Isa Genzken’s first major American retrospective at New York’s MoMA will engage the senses and the mind in an all-out immersive exhibition.

The self-obsessed family that employs her as a nanny barely notice that Margarita is their domestic Sun until she is fired and it highlights the ways they orbit her.

The Style of Coworking showcases a staggering array of working spaces, including places long-abandoned and reclaimed by enterprising visionaries who infused them with personality and style.

A new exhibition at Museum of Contemporary Art Krakow explores the socio-political undercurrents of European art since 1945 through to the present day.

Embodying the titles of photographer, collector, diarist and writer, Beard journeyed the path less travelled.

Combining electronics with a punchy rhythm and a splattering of pop, Push/Pull is an endlessly catchy album.

Parreno transforms the Palais de Tokyo, an experience rather than an exhibition, Anywhere, Anywhere, Out Of The World  is greater than the sum of its parts.

A collaboration between singer Susanna Wallumrød and Ensemble neoN, The Forester is a wildly ambitious album that deals with loss, power and loneliness.

In the upper echelons of Romania’s nouveau riche Child’s Pose probes into the caustic relationship between a domineering mother and her adult son.

Tristesse Contemporaine is a trio based in France with no French members, which delivers synth pop that sounds equally at home in the mainstream or underground.

Coming from the same angle as Joy Division, Beastmilk cook up some great songs. Death Reflects Us, in particular, is massive, with huge guitars and perfectly-controlled reverb.

New writing is experiencing a revival and the Soho Theatre is just one of a growing number of venues where emerging writers can make themselves heard.

Renowned for impeccable tailoring with unexpected elements lurking beneath each perfect cut, Paul Smith rose from a single, tiny shop in Nottingham.

“Fortuna” is a concept employed by the acclaimed South African artist William Kentridge to describe his creative process. It implies more than simple chance but less than a fully conceived plan: a kind of engineered luck.

Milius, the first feature-length documentary from director duo Zak Knutson and Joey Figueroa, unearths the real character of John Milius.

In Mister John, Gillen straddles two worlds – the one he wishes to leave behind and an alternative existence occupied by someone he once knew, but no more.

Cornelia Parker is a British sculptor and installation artist who is interested in the potential of materials. Her latest involvement is with Glasstress, as one of 65 artists challenged to work with glass.

It’s an outstanding feat for any British film company to reach its first birthday – Warp has hit 10 consecutive anniversaries, adding yet more titles to its body of work.

Barging its way through 12 tracks of stormy, experimental guitars, Hawk Vs Pigeon succeeds in completing a compelling, and totally bonkers album.

Tracing a landscape of signs, buildings and interiors, Jim Dow’s photographs record the character of a past era. Beginning in the 1960s, he has continued to capture these elements all over the world.

With over 500 pages of superb colour images, the canvases for the work range from book covers, magazines and posters to scarves, apps and music videos.

The Rifles’ fourth album, None the Wiser, is a fast paced indie rollercoaster which finds the band’s trademark rock and roll sounds once more.

Cally Whitham records the ordinary, transforming it into a surreal landscape, reflecting the way places are perceived through nostalgia and memory.

Osborne Samuel displays the work of three of the UK’s leading contemporary photographers, each of whom use their medium to provide unique and powerful insights into the lives and traditions of various communities and individuals.

Mark Bradford’s second show at White Cube, Through Darkest America by Truck and Tank, is soaked in a richly violent dialogue examining the monotonous blood vessels that unite all the vital organs of America – the highways.

For the second time, the Michael Hoppen Gallery opens Splinter, a one-day art fair on 30 November. As before, the event will offer a wide range of 19th, 20th and 21st century photography.

The animalistic and savage creatures of MBE award-winning sculptor, Nicola Hicks, find their home at Flowers Gallery, New York. Full of a quiet expression, these towering straw and plaster figures set out to explore the nature of character.

The Uneventful Day brings together the unique and interconnected work of three young artists: Jim Woodall, Alexander Page and Luke Burton. The show examines humanities’ relationship with landscape and architecture.

Phantoms in the Front Yard, an all-male painting collective that exalts the romantic vision of old-world figurative realism in art, has just unveiled a pop-up exhibition at the HSBC headquarters in Vancouver.

Philip Davenport curates the world premiere of The Dark Would as part of the Summerhall Winter Visual Arts Programme. This exhibition seeks to re-position artists alongside poets and “outsiders” and free up space for a new wave of practitioners.

Bob Dylan, known more so for his poetry, music and writing, began introducing his artwork to the world with an exhibition of his Drawn Blank Series in 2007 at the Kunstsammlungen in Chemnitz, Germany.

Alex Prager has spent the last 10 years constructing imagined scenes for her photographic work. Full of colour, tension and narrative, Prager’s images continue to play with the figure of the woman.

Florian Pumhösl’s minimalist triptychs are available to explore once more at Lisson Gallery. Made up of a series of three plaster panels progressing in size, these works create an abstract visual language.

Traces marks the UK’s first retrospective of work by Ana Mendieta through a show of films, sculptures, photographs, drawings, personal writings and notebooks, and a slide-room.

A whole century after first revealing his work to America at the New York Armory Show, the art of the unofficial torchbearer of modernism, Constantin Brancusi, is celebrated in a new exhibition at Paul Kasmin.

A group show that proposes a dialogue between historical and contemporary sculpture, attempting to draw a line between a lost past, a sensuous present and an imagined future has to work hard to justify its audacious blurb.