The Collective Conscience
The artist who needs no introduction takes over London with a massive retrospective at Tate Modern and new works at the Timothy Taylor Gallery.
The artist who needs no introduction takes over London with a massive retrospective at Tate Modern and new works at the Timothy Taylor Gallery.
In recent years, photography has become the most accessible and affordable art form. With this in mind, photographers must drive the medium forward.
Review by Alistair Q As you come off High Street and enter the beginnings of the bedraggled East End, across from a noisy new construction…
Review by Paul Hardman Window Paintings: Gareth Cadwallader The new Gareth Cadwallader exhibition at the Hannah Barry Gallery, Peckham gathers much of its resonance not…
Review by Nicola Mann Case Study: Loch Ness (Some possibilities and problems), 2001-2011. Gerard Byrne grew up in Dublin in the 1970s. It was a…
Review by Bethany Rex The Northern Art Prize celebrates and rewards contemporary visual artists based in the North of England. Now in its 4th year…
Review by Bethany Rex Presenting over 100 galleries and featuring some exceptional contemporary work from leading figures and emerging talent, this year’s London Art Fair…
We continue our Q&A with the Aesthetica Short Film Competition winners with some insights from filmmaker Shaun Hughes. Shaun’s film, Mother, is an intense and…
Review by Regina Papachlimitzou Unon entering What Next For The Body, you are greeted by a warm and comfy lounge, complete with inviting brocade sofa…
Review by Colin Herd Every year, Sabhal Mòr Ostaig, the centre for Gaelic language and culture on the Isle of Skye, hosts an artist residency…
Review by Emma Cummins In a world saturated with images; with photographs, films, videos and video art; Marcel Dinahet’s work is a welcome reprieve. Now…
Q&A with Alice Lobb, Gallery Programmer at artsdepot. Artsdepot an exciting and vibrant arts venue in North London, committed to providing a diverse range of…
Review by Robert J. Wallis & Tiffany Jow Dr Robert J. Wallis is Professor of Visual Culture and Director of the MA in Art History…
Review by Charles Danby From Grafton Street there was little to see. The large glazed exterior of London’s Sprüth Magers offered a near empty room…
Review by Kenn Taylor As we move into the second decade of the 21st century, it appears as if “media art” is finally being accepted…
Review by Isabella Andronos Sherrie Knipe’s work in Bootiful, at Sullivan+Strumpf Fine Art in Sydney explores the tensions between consumerism and desire. Knipe has created…
Review by Colin Herd As processes go, few are more mysterious and fascinating than the seemingly paradoxical art of camera-less photography. With its roots in…
Review by Alistair Quietsch On 10 December, I read yet another apocalyptically tinged news report: that of Burma building silos with aid from North Korea…
Review by Ceri Restrick Lost Languages and Other Voices is Joy Gregory’s first major retrospective. The exhibition charts the artist’s career over two decades and…
Review by Rosa Rankin-Gee There is something life-affirming about the queues to see art in Paris. Perennially long, and slow, and full of people complaining…
Review by Carla MacKinnon The Gopher Hole is a brand new venue and project space nestling beneath El Paso Restaurant at 350-354 Old Street in…
Review by Ceri Restrick The National Media Museum sets the bar for exhibiting world class art and culture. Swedish photographers, Anders Petersen (b. 1944) and…
Review by Nicola Mann A long time ago, in a galaxy far, far away urban designer and theorist Melvin M. Webber devised a radical plan…
Review by Joseph Ewens Now in its 26th year, The Turner Prize has become an epicentre for contemporary art debate. Its mission to highlight the…
Review by Colin Herd Timed to coincide with Richard Demarco’s 80th birthday, the current show in the impressive and expansive galleries of the Royal Scottish…
Below is a Q&A with Jared Varava from the American filmmaking duo, the Varava Brothers. As one of the longer shorts on the Aesthetica Shorts…
Review by Charles Danby Following hot on the heels of Transition’s inaugural ART BLITZ auction, a call to arms against impending arts cuts in the…
Review by Robert J. Wallis, a Professor of Visual Culture & Director MA in Art History at Richmond The American International University in London. “Every…
With Kahlo’s place firmly rooted in history, Chicago asks how exactly has this place been cemented? “As an important artist? Feminist hero, Latino pioneer?”
This monograph explores Spero’s entire body of work, giving due weight to the (anti) narratives of language and voice.
The modernist concentration on the design of an abstract yet integrated space has been replaced by the post-modern reaction, which pays closer attention to small scale design and its meaning.
After a telling dinner party, in which everyone seems to have some sort of awakening and massive revelation, Clara’s life changes once again.
Set in Alabama, the novel reveals what it is like to overcome the shadows of a country’s past whilst also adoring the place you consider “home.”
This new work is a gripping whodunnit focused around the death of the town’s bar owner. Everyone has a reason to dislike Joël Morvier and no one is shy about offering opinions.
Rula Jebreal is an award-winning journalist who specialises in foreign affairs and immigration rights issues.
A new theatre company challenges the idea of a cultural hierarchy and aspires to make work that is intelligent and provocative without being exclusive.
In How to Read the Air, Dinaw Mengestu explores family relationships and one man’s need to reinvent the past, present and future to deal with his memories.
Gregory and the Hawk’s new album does not invite easy comparison, yet there is something eerily familiar about it.
The Maxïmo Park front man already has an enigmatic character, an art-rocker who reads poetry and that type of thing.
The beauty of this album is that it’s stylised with up-tempo tracks. There’s constant energy even when the music drifts into more cosmic places.
Having collaborated with almost everybody active in the progressive music scene since the 1970s, Brian Eno has joined forces with Jon Hopkins and Leo Abrahams for his latest creation.
Til You’re No Longer Blinkered is a collection of experimental tracks combining spoken word, operatic melodies and a fiery mindset.
A bilingual gem of an album, Excerpts is the latest offering from Montreal-based songwriter and composer, Olivier Alary, the man behind Ensemble.
We caught up with French Horn Rebellion to chat about their learning curve, influences and the cinematic storytelling that culminated in their first album.
Imagine if that old games console in the attic could play you a tune. Chiptune music takes its inspiration – and its source material – from the unlikeliest of sources, and is creating its own superstars.
Alan Haydon has been Director and Chief Executive of the De La Warr Pavilion for the past 10 years.
Set in Buenos Aires, The Fish Child is the story of a clandestine romance. Two young girls in love hatch a plan to return to Lake Ypoá in Paraguay to live together.
The latest feature film from Claire Denis focuses on Africa and depicts a former French colony. There is revolution – the army against a band of rebels, fuelled by the provocative allegations of a radio DJ.
Jez Lewis’ documentary explores the underbelly of the quaint tourist town, Hebden Bridge in Yorkshire.
Sebastián Silva’s second feature is a sweetly comic take on the role of domestic servant within a household.
