Review by Nathan Breeze Touring six major European culture halls, Liebestod was a cross-genre performance by the Amsterdam Sinfonietta exploring the interaction between Classical Music…
Review by Paul Hardman This exhibition, the first dedicated to Pino Pascali in the UK, focuses on works from 1967 and 1968, the last few…
Review by Regina Papachlimitzou Yellow Wallpaper, inspired by Charlotte Perkins Gilman’s story of the same name, examines and unravels themes of spatial confinement, escape and…
Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. Lisson Gallery’s newest exhibition highlights…
Review by Carla MacKinnon Wellcome Collection, a free visitor destination for the incurably curious has established an excellent name for itself as one of London’s…
Interview by Bethany Rex Clare Price’s new work represents a departure from the strictures of her previous work. Whilst adhering to the familiar formalist rules…
Interview by Bethany Rex Featuring works by Agata Agatowska, Geraldine Cox, Chris Dunseath, Sam Knowles, David Rickard and Chooc Ly Tan, Beyond Ourselves opens tomorrow…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. The Victoria and Albert’s…
Review by Alistair Quietsch With the recent announcement of the Arts Council England (ACE) cuts and funding decisions, the disbandment of the UK Film Council…
Review by Adam Harangozó Stepping into the exhibition, it’s immediately evident why it is called Critical Spaces. It is in a small room, and all…
Von Rydingsvard’s art is deeply personal, confronting the artist’s hardship. This essay is sensitive, yet critically engages with the works and presents an overview of the artist’s four decade career.
Presenting an intimate portrait of the lives of French farmers from the Forez region, on the eastern side of the Massif Central, In the Face of Silence is a powerful and emotive account.
With the die-cut stencils and stencil typeface this book provides, it’s tempting to go straight outside and start marking your territory, however there is a wider message at play here.
Gail Jones, twice nominated for the Orange Prize and once for the Man Booker Prize, explores the lives and pasts of strangers in her latest offering.
Is the novel dead? Is art theft? Can you copyright reality? These are just some of the questions asked (and answered) in David Shields’ manifesto, Reality Hunger.
Adrian Mole for the new generation, Oliver Tate is a wonderfully bright narrator and Dunthorne captures the bittersweet melancholy of the teenage years with great wit and honesty.
To stand up in the world of fashion photography takes hard work, skill and endless amounts of creativity. Pedro Janeiro is a rising-star in this genre.
Exploring the moment, highly acclaimed director and photographer, Wim Wenders, brings his distinctive style and sensitive imagery to London.
15 international artists exhibit in a ground-breaking exhibition that deciphers new meaning within the difference between making and thinking.
With materials taking precedence, two new site-specific works explore the nature of narrative creation and memory.
James Turrell’s latest site-specific work, opening this spring in Sweden, creates interplay between the body and light.
Self-funded, and making use of borrowed locations, this drama examines the profound personal impact of the US Army’s “Don’t Ask Don’t Tell” policy.
My Kidnapper is the culmination of an interaction in which Mark Henderson and three of his fellow captives return to Columbia to meet their abductor.
Rubber is surreal and bizarre, but just when connections are made, Dupieux cleverly reminds you that there is no reason, and after all you are watching a film about a killer tyre.
The Arbor tells the powerful true story of Bradford playwright Andrea Dunbar and her daughter Lorraine.
Archipelago comments on the dynamic and often complex relationships between family members and wonderfully exposes moments of inner-awkwardness.
City Island is a touching and funny tale set in a quaint fishing village unexpectedly located in the midst of the Bronx.
Review by Alistair Quietsch Seeped in conceptual layering and research, Jeremy Millar’s current show at the CCA is at times, a seemingly disparate show of…
The UK Film industry has taken a few major blows recently. In the face of this, British films are being picked up by overseas film festivals: next stop, Tribeca.
Across the Atlantic there’s a strong tradition of road trip films, the bulk of the action based in or around the car and the endless dusty highway ahead.
The last Achilifunk album marked the start of something big on the rumba scene and focused attention on the culture and history of the genre.
Born out of Marsh’s struggles with substance abuse, heartbreak and the deaths of several friends, it’s reflective, but ultimately affirming material.
Creep On Creepin’ On is a deeply provocative and alternative slant to blues, which would be appropriate in a hidden downtown bar.
The diversity of this album is astounding, some tracks will have you swooning, while others pass on by, however the ones that stand out pull the whole album together.
If this second album from Vessels overwhelms, it’s more for the test of aural endurance it poses than for being truly groundbreaking.
Mind Bokeh is Bibio’s most accomplished album to date, blending a soulful and vivid assortment of tracks and creating a dappled, uplifting arrangement.
Esben and the Witch’s uncompromising sound is being heard not only in back rooms and dimly lit bars, but it is also making its way into our musical landscape.
Synthesisers are complex and difficult instruments, but in musical circles, they’re considered some of the most beautiful. Here’s what it takes to build a behemoth.
Battersea Arts Centre brings people closer to theatre with the One-on-One Festival, exploring the relationships between audience and performer.
American artist, Romare Bearden’s (b.1911) practice is complex and wide reaching. This exhibition at Michael Rosenfeld Gallery is the first to focus exclusively on collage…
Review by Colin Herd To accommodate Recent History, the Tate St Ives has reversed the sequence of galleries, so the show begins in Gallery 5…
Review by Ruaidhri Ryan “I’m not a film purist, for me it is about my own enjoyment; I really don’t feel part of a debate…
Review by Charles Danby The Jerwood Encounters series was launched in 2008 to investigate the margins of the primary fields of the Jerwood visual arts…
A disused terraced house in Bensham, Tyneside, which is scheduled for demolition, is to briefly enjoy a radical new life – as a contemporary art…
Review by Colin Herd In a tiny photograph of a domestic interior, the doors of an ornate wooden cabinet gape open. In the lower half…
Review by Emma Cummins In November 2010, the graduating students of the MA Curating Contemporary Art course at the Royal College of Art, invited the…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London The Embankment Galleries at…
Review by Paul Hardman Right from the first moment of entering this exhibition at the Serpentine, Spero’s art makes an assertive and powerful impression. Immediately…
The collaboration between Bernard Herrmann and Alfred Hitchcock is one of the most famous, tempestuous and productive creative relationships in Hollywood to date. To coincide…
European cinema occupies a special place in the heart of the cinema-going public: a Danish film, In a Better World, picked up the Best Foreign…
