Milagres
Brooklyn quintet Milagres’ debut album bursts into life with more than a hint of Human League style 1980s electropop in rousing opener Halfway.
Brooklyn quintet Milagres’ debut album bursts into life with more than a hint of Human League style 1980s electropop in rousing opener Halfway.
The Pompidou Centre stages a new exhibition detailing the place of dance in art history and its influence on visual arts.
You won’t find a more powerful piece of Americana than the title track on First Aid Kit’s new album. The Lions Roar is immense; dark skies over the open prairie.
It would be impossible to call the music of Hyperpotamus derivative, and you won’t have ever heard an album like Delta.
For listeners who are familar with this DJ and producer’s secret performances at festivals, this record is a disco-pulsed trip down memory lane.
Tel Aviv Museum of Art is that rarest of institutions: an art gallery with a political legacy. The original building was the former home of the first mayor of Tel Aviv, who bequeathed the property in his will.
There are unseen lines that cross the earth, lines that make little concession to land or water but are owed and owing to both, through industry and habitation.
Lunch Break is an unsentimental, yet deeply humane, portrait that examines the changing roles of workers, depicting the drastic shift in the social, political and economic landscape of the 21st century.
Were you to walk down a street today and look through the windows of the houses, you would witness a wide variety of living spaces: homeowners today are preoccupied with design and the arrangement of the world around them.
This year’s Taylor Wessing includes thought-provoking and captivating works. Jooney Woodward won this prize for her portrait, Harriet and Gentleman Jack.
The UK film climate has changed dramatically over the past 12 months; why on earth would anyone start a new short film festival? ASFF Director, Cherie Federico, tells us in her own words.
Winner of several awards, Director Pablo Giorgelli discusses his latest film and how subtle direction creates powerful beauty.
When Véronique Chambon, a quietly beautiful schoolteacher meets Jean, a traditional family man, the pair embark upon a love affair that is just as demure as Véronique’s wardrobe choices.
Filmmaker Mark Cousins travels to Iraq with three small video cameras. His intention is to allow the children to re-imagine their country.
In July 1942, thousands of French Jews living in Paris were taken away – first to the cramped, nearby Velodrome, then to the concentration camps.
For a second feature, Kill List is a remarkable accomplishment of the kind that usually comes much later in a director’s oeuvre.
Set against the backdrop of Finsbury Park, Sallie Aprahamian’s feature debut tackles hardship, obligation and moral choices.
Based on Joe Gores’ novel of the same name, Wim Wenders’ film is the fictional imagining of how mystery writer Dashiell Hammett began his career.
The Aesthetica Short Film Festival (ASFF) was a dynamic, four-day international event that took place in the City of York from the 3 – 6 November.
Camilo Echeverri’s series SuperWomen employs a deliberate reworking of visual vocabulary, subverting notions of nostalgia, happiness and myth.
Each issue of Aesthetica features works by rising stars in photography from around the world. The following images are a highlight of this year’s works.
Christoph Benjamin Schulz, guest curator at Tate Liverpool, has a particular interest in and extensive knowledge of how Lewis Carroll has influenced the visual arts.
Musical comedy is a hard genre to crack, and even the brightest stars are often sidelined. Here’s how a so-called niche genre is getting its groove back.
Vitamin P2 is a compendium for new international painting, acting as a guide to the styles, themes and subjects in today’s most recognisable works.
Artists who sit outside the traditional cultural framework of the art world often go unnoted; the concept of outsider art still provokes uncertainty, questioning the legitimacy of art and artistic behaviour.
Wild Flag’s credentials are undeniable. The band has just released their first album to critical acclaim. We caught up with Janet Weiss to talk about the band.
This text demonstrates how Elmgreen & Dragset’s sculptures and installations reconfigure the familiar with characteristic wit and subversive humour.
Eckersley’s vision of nocturnal London dissembles the conventional imagery of built environments where abandoned estates and neon-lit corner shops reign.
This impressive collection coincides with an ambitious exhibition programme that tells the story of the birth of the L.A. art scene, with particular focus on Judy Chicago, Hammons, Hockney and Ruscha.
This book provides insight into Richter’s method and process; giving readers a glimpse into the artist’s working practice.
This beautifully illustrated volume charts the relationship between Edward Hopper and his beloved Maine; its lighthouses, harbours and coastlines.
Remember The Family, formed by Prince? A funk and soul unit put together to be the thunderclouds behind the Purple Rain, the Family has reformed as fDeluxe.
The old and evocative nature of Green’s voice conjures up images of dancers whirling round smoky dancefloors.
Following on from the Royal Academy of Arts’ show, Eyewitness: Hungarian Photography in the 20th Century, The Hungarian National Museum celebrates the career of André Kertész.
From Australia, to the Netherlands, South Africa and France, crowds descended on York for the inaugural ASFF. See who came out to play for this year’s event!
For his first London exhibition since his celebrated Moonmilk series, Ryan McGinley has assembled seven new photographs, all in the largest format the American artist has yet worked in.
Parasol Unit presents a major exhibition of works by two of Sweden’s leading contemporary artists, Cecilia Edefalk and Gunnel Wåhlstrand.
Everything Is Happening At Once is the first solo UK exhibition in a public institution by Rashid Rana. Rana’s work explores how physical realities and social practices affect our culture and identity.
There are a few things you will already know about Sofia Coppola; she wrote Lost in Translation, was the first American woman to win the Golden Lion at the Venice Film Festival with Somewhere.
Celebrating Swedish Art History in the 1990s, Moderna Museet unveils their new show Moment-Ynglingagatan 1: a non-commercial gallery that was a vital forum for Swedish art in the 1990s.
Laure Prouvost has been announced as the winner of Whitechapel’s Max Mara Art Prize for Women. Iwona Blazwick, OBE, Director of the Whitechapel Gallery revealed the winner this evening.
A futuristic world of unfeeling biological experimentation that’s just a step away from the one we inhabit now. This is what Shen Shaomin invites his visitors to enter in The Day After Tomorrow.
Designed by Heike Mutter and Ulrich Genth, The Tiger & Turle – Magic Mountain is the name of this imposing outdoor sculpture which opened last week in Duisburg Wanheim, Germany.
Swedish artist, Bo Christian Larsson combines sculpture, video, and works on paper. Larsson’s previous exhibitions have featured a central work – often a large-scale installation or a performance.
ING Discerning Eye is an exhibition of small works independently selected by six prominent figures from the art world. This year’s selector are: Artists, Eileen Cooper RA and Lisa Wright, amongst others.
The International Residency programme at Seacourt Print Workshop offers an artist the opportunity to work in a new environment and share their knowledge during a three-month stay.
Jaume Plensa has had a good year; Echo, his first public art project in New York City was extended for an extra month, while in the UK, Chichester Cathedral announced Plensa’s winning proposal.
Exceptional numbers of art collectors are building private museums to display works that they currently store in warehouses. The latest in a long line of these museums is The Salsali Private Museum.
It is by the ghostly light of Daniel Rozin’s Snow Mirror that visitors enters Dark Matters at the Whitworth Gallery in Manchester. This haunting new exhibition is an amalgamation of a variety of media.
Torben Åndahl’s Eike is featured in the Taylor Wessing Photographic Portrait Prize show. The award has developed a prestigious international reputation since its inauguration in 2005.