Graphic designer Yuliya Pylypko has crafted a publication aimed at involving a young Ukrainian audience in artistic heritage.

Elmgreen & Dragset’s new installation asks more questions than it answers, as part of Copenhagen Contemporary’s exhibition The Art of Sport.

Butterflies encircle faces. Orange balloons float in mid-air. Deep blue leaves engulf bodies. Fares Micue is a self-taught conceptual photographer.

Christopher Thomas captures merry-go-rounds, ice cream cones, bubble gum machines, circus tents and ferris wheels within desolate landscapes.

Signs and Symbols: Issue 102 considers the difference between “looking” and “seeing” –
how we view ourselves and the world around us.

The current Yinka Shonibare retrospective in Salzburg highlights the artist’s engagement with colonial brutality and post-colonial identity.

Eliza Bourner is a lens-based artist capturing cinematic self portraits of postmodern living; alienation, loneliness and unease.

In April 2020, more than 46% of people in employment did some work at home. Illustrator Meda Kinaite brings this major shift into focus.

A new book delves into sculptor Sarah Sze’s complex and mesmerising visualisations of the human world – and the systems we use to measure it.

The theme for this year’s PhotoIreland Festival is food. Julia Gelezova, Curator, and Ángel Luis González, Director, explore the programme.

Jessica Backhaus arranges tiny paper cut outs in the Berlin summer sun. As the shapes begin to curl and bend, she captures their dance-like forms.

Ernesto Neto’s work dissolves the boundary between art and audience, highlighting the entwinement of our fate with that of other creatures.

This year’s Wellcome Photography Prize shortlist turns the lens to issues surrounding mental health, global heating and infectious disease.

Circles of red, swirls of yellow, splashes of green. Colours blending, separating and pooling. These are kaleidoscopic works by SPONK.

What do tomorrow’s designers, makers and influencers look like? Nottingham Trent University’s Showcase provides the answer.

Sarah Doyle’s images are bold, abstract and contemporary, with sand covered staircases, teetering matches and stacked pink discs.

Deana Lawson’s powerful portraits, which won her the Hugo Boss Prize 2020, draw on symbols of historical paintings and religious iconography.

“If I didn’t have to cook, wash up, nurse children ad infinitum I should carve and carve and carve…” wrote Barbara Hepworth. A new book explores her life.

This summer, Yorkshire Sculpture International returns with a programme of shows and events. There’s a strong digital element throughout.

Around 9 in 10 people surveyed in 2020 agreed that getting outdoors is good for mental health. Ben Butling responds through visual communication.