Glenn Lutz’s landmark publication comes from the desire to “create a work in which Black men came together to open up and share their experiences.”

During lockdown, London’s Museum of Youth Culture encouraged the public to delve through old shoeboxes, look in attics and flick through albums.

Margriet Smulders’ contemporary vanitas depict petals, berries and leaves floating on water – causing ripples and washes of colour to bleed and blend.

Mónica de Miranda explores the island as a visual metaphor for the wider Afrodiasporic experience alongside Europe’s complex colonialist histories.

Omar Torres’ images symbolise an attempt to reach equilibrium. Everyday objects are arranged in balancing acts, held on the brink of collapse.

Jason Bruges Studio is a pioneer in the field of interactivity, paving the way for a new genre of art and design. In this interview, he discusses collaborations with Tate, the Olympics and V&A.

Forensic Architecture comprises artists, lawyers, journalists, filmmakers and coders, harnessing design to uncover global human rights violations.

Sometimes we have that eureka moment ; we think about something in a completely new way. This issue foregrounds artists who play with form and subject.

Andoni Beristain’s bold still lifes inject a sense of narrative into the everyday, finding moments of comedy, satire and beauty within familiar items.

Nhu Xuan Hua’s images move beyond fashion editorials, transforming the body into something less individualistic – and much more sculptural.

Anna Devís and Daniel Rueda’s images redefine the conventions of structural photography whilst tapping into the pillars of architectural tourism.

Neal Grundy’s Transient Sculptures series focuses on the concept of impermanence, depicting the beauty of fabric forms billowing in “mid-flight.”

Reuben Wu produces temporary geometries, or “aeroglyphs”, in remote locations. Glowing halos and lines are created with light-carrying drones.

Anastasia Samoylova searched through online image libraries with various buzz words: desert, glacier, tropic, storm, forest, waterfall, mountain.

Human touch, and all its wonder, pervade D’Angelo Lovell Williams’ photographs, showing the inherent, complicated beauty of intimate relationships.

A design and technology exhibition at V&A positions South Korea as “a leading cultural powerhouse in the era of social media and digital culture today.”

Artists and technologists Harry Yeff and Trung Bao generate dazzling gemstone artworks from influential human and endangered animal voices.

A new, richly illustrated monograph paints the picture of Ugo Rondinone: an artist unafraid to push the boundaries of public art influenced by the land.

To look at infrared photography is to look at the invisible world. The human eye can see wavelengths from 400nm – 720nm. Infrared sits beyond 720nm.

Trung Bao compares the image-making process to that of music, with the ultimate goal of evoking feelings that are often hard to put into words.