Since her success at the Edinburgh International Film Festival for her first directional feature debut; Flying Blind, Polish director Katarzyna Klimkiewicz’s is creating a stir in the film world.
Tapa – Barkcloth paintings from the Pacific, proposes a curious offering for a contemporary site. A timeless partnership, which transgresses history and the furthest reaches of the globe, is formed.
Scripted and produced by members of Orange Tree Theatre’s Writers Group, which nurtures the talents of professional playwrights, Unrivalled Landscape comprises six new short plays.
Aesthetica speaks to Gilad Ratman, currently representing Israel at the Venice Biennale about politics, narratives and his project for the event. The Workshop is a five-channel video installation.
Artist Tavares Strachen talks to Aesthetica about science, the North Pole and the desire to fit in. Entitled Polar Eclipse, the Pavilion for the Bahamas makes for a rich, multi-sensory experience.
Born and bred in Zurich, Play Hunter is an artist, author and creative entrepreneur. Studying Fine Arts at Saint Martins College of Art, London, Hunter set up her website Playlust back in 2007.
Asymmetrical Cinema is a fitting title for the unsettling cacophony of noise and image currently on show at Beaconsfield. The exhibition is curated by Dale Holmes and Kirsten Cooke.
The man who made a name for himself by painting hospital doors has come a long way with a very simple formula: gloss paint in bold, treading a line between abstraction and figuration.
The British Pavilion at the Venice Biennale, English Magic, by artist Jeremy Deller is about as quintessentially English as they come. The building cuts an imposing edifice within the Giardini.
Returning to Earls Court Exhibition Centre for its fourth edition, PINTA offers visitors the chance to view and purchase work by eminent artists from South America, Spain and Portugal.
For 2013, PHotoEspaña expands its programme as it opens 74 exhibitions and activities in Madrid, Alcalá de Henares, Alcobendas, Cuenca, Lanzarote and Zaragoza. Running 5 June until 28 July.
The exhibition Who is Alice? brings together works by a range of Korea’s most significant contemporary artists, of whom there is currently an abundance, both within and outside of Korea itself.
Presented on a series of trestle tables and shelves punctuated by black chalkboard panels A Book is A Performance at Centrespace displays a broad selection of artists’ editions and multiples.
The Workshop comprises a five-channel installation by Gilad Ratman. The piece interacts with the pavilion’s architectural structure to create a work that draws the viewer along on a narrative journey.
At Aesthetica we like to keep an eye on emerging artists, and one of the best ways to do that is to take note of the numerous degree shows open this summer. Here are our 10 favourite shows to see.
Tomorrow is the last day to see Polaroid Factory at Printhouse Gallery. The series is a collection of photographic images made at one of the world’s last production facilities of traditional instant film.
The Africa Channel presents a unique and insightful view of contemporary African art, in its new series, African Masters. Audiences will go on a visually stunning journey across the globe.
Curiosity: Art and the Pleasures of Knowing, an exhibition curated by UK editor of Cabinet magazine, Brian Dillon, has transformed Turner Contemporary into a labyrinthian cabinet of sorts.
Directed by Lukas Demgenski and produced by Valerie Hanson, Notes from the Underground is a 10 minute documentary on the people who run the London underground system.
Constantly jumping between synths and heavy drumbeats, Chapel Club’s second album Good Together doesn’t disappoint, particularly if you loved the first album.
Transforming everyday objects into vibrant constructs, Michael Craig-Martin has shaped the artistic landscape of Britain, both through his own work and his influence on other practitioners.
Each year photographers from around the world participate in the World Press Photo Contest, and the results are nothing short of magnificent.
Polish director Katarzyna Klimkiewicz is clearly on the ascendant; her debut feature, Flying Blind, is about as human and intelligent as they come.
Following successfully in the footsteps of such masters as Yasujiro Ozu, Hirokazu Kore-eda rejects action and relentless pace in favour of quiet family drama.
Taking its name from notorious 1890s graphic design periodical The Yellow Book, The Purple Book presents a lavish marriage of art and literature.
Samaris is an unusual combination of clarinet, electronica and vocals. In the broadest sense, the music is down-tempo techno, possessing an otherworldly charm.
Serving up sounds from a wide-ranging palette, one of Wampire’s stand-out strengths is the fact that their music is nearly impossible to categorise.
Set in Moldova, which houses some of Europe’s most deprived people, this dark tale charts the loaded and complex friendship between two young women.
Murderopolis is the third album from Glasgow-based trio Sparrow and the Workshop, and it is a leap forward in craft and assuredness.
It is still up for debate whether Carlos Reygadas’ Post Tenebras Lux is a richly rewarding tapestry of connubial complications or an indulgent self portrait.
Beginning his career with the unconventional decision to redesign hospital doors, Gary Hume’s signature style was established early.
Cornelia Parker’s work presents lines of enquiry and invites viewers to consider the fragility of the human experience.
Sorcha Carey, Director of Edinburgh Art Festival, takes on the task of directing an experience for over 250,000 visitors.
Contemporary Asian Photography attempts to explore, problematise and ultimately dismantle the concept of a uniform Asia, reducible to geographical components of Near, Central and East.
It’s easy to see why Ravens + Chimes is developing an increasing fanbase – the band doesn’t miss a step with its latest offering, Holiday Life.
Lore follows a teenage girl journeying across a land overrun with Allies with her four siblings as they battle to the safety of their grandmother’s home 900km away.
Beware of Mr Baker couldn’t be more of an accurate title for this invigoratingly humorous biopic of one of the greatest drummers the world has ever seen.
Terrence Malick’s latest consideration on the maelstrom of the human psyche uses landscape and weather as metaphors for changes in emotion and mood.
Enamoured by colour and glamour, Miles Aldridge makes work dripping in jewels, lipstick and fluorescents, transporting his subjects into a surreal feminine space.
Atlanter produces an intriguing mix of rock with desert blues, classic psych and a stream of repeating vocals.
Teacher Germain becomes drawn to charismatic pupil Claude who, in turn, is fascinated by fellow pupil Rapha and his “perfect family”.
The raging and pulsing cacophony that is How’s Your Low When You’re Low Alone may well be the most enthralling introduction to a debut album this year.
The Epstein reaches its sophomore album with a more experimental edge than its critically welcomed debut displayed.
Hailing from New Zealand, Surf City upholds its sturdy shoegaze, indie reputation, and breezily strolls through ample amounts of plodding melancholia.
Heavily overproduced lo-fi pop is the order of the day, as Pure Bathing Culture ambles through its debut release.
80s rockers The Woodentops release an all-encompassing retrospective collection of the highlights of their career to date.
The Essential Robert Indiana collates the artist’s significant body of work alongside text by Martin Krause, based on ongoing conversations with Indiana
Crystal Fighters’ second album is so blissfully executed that its infectious rhythms are bound to induce partying in a cave, field, beach or just about anywhere.
The DOCUMERICA Project began as an Environmental Protection Agency programme, and evolved into a striking historical document of the environmental problems and achievements of the 1970s.
Rodney Graham’s exhibition at Lisson Gallery, uncovers the sculptural and cinematic nature of his practice, and the continued influence of music, painting and film upon his work.
