Tate Modern continues its dedication to the work of major women artists with its upcoming summer exhibition, Georgia O’Keeffe, which brings together over 100 of the artist’s most important works.
Art New York returns this year with the addition of CONTEXT New York for this year. The events showcase artwork from more than 150 galleries around the world, representing 1,200 artists.
Free Range is an Art and Design Graduate Art Show taking place at The Truman Brewery from 10th June to 18th July, displaying works across a variety of media.
Artists and industry figures travelled from locations such as Vienna, Germany, Scotland, Northern Ireland and across the UK to experience the show and hear the announcement of the winners.
Analogue NOW! returns to Berlin for its second year, from 6 – 14 May, offering a broad range of events. Photographers showcase their work around the theme of manipulation.
Flattened Metal, Guan Xiao’s first solo exhibition, runs from 20 April – 19 June, at the Institute of Contemporary Art, London.
Andy Warhol | Ai Weiwei at NGV explores the significant influence of these two exemplary artists on modern art and contemporary life.
The Aesthetica Art Prize Exhibition Private View is tonight, with the show opening to the public tomorrow. Here, Charles Hutchinson from The Press places one finalist, Liz West, in the spotlight.
Now in its fifth year, The Other Art Fair has firmly established itself as an alternative way for buyers to access art. This year the fair infiltrated the great, dilapidated basement of Victoria House.
Galleria Raffaella Cortese presents three solo shows in Milan, settled into different spaces. Through their works, the artists show both parallels and dissimilarities.
Running from 14 – 17 April, Art Cologne is the world’s oldest art fair for the showcase of contemporary art of the 20th and 21st century.
Gianluca Sodaro is an artist and film director. We speak to him about the processes behind his work and the human imagination.
The 7th edition of Glasgow International runs from 8–25 April, bringing together both international and Glasgow-based artists to showcase their work in 78 exhibitions across the city.
Books are in the bones of the Camden Arts Centre. The ghost of this past life reappears in the Centre’s newest show: Books, Camera, Ubu.
Hauser & Wirth Zürich celebrates the centenary of the Dada movement with a comprehensive exhibition of three renowned Dadaists.
Arcangelo Sassolino’s (1967, Vicenza, Italy,) practice is developed to detain, enhance and set power free. Interpreting power as an element of resistance and demystification, Frankfurter Kunstverein presents “Mechanisms of Power”.
Galleria Continua presents a solo show by widely acclaimed British artist, Antony Gormley, in its Beijing space, featuring new installation Host.
Sydney based artist, Louise Zhang, creates sculptures and paintings that represent the grotesque: layered with beauty and repulsion simultaneously.
Deb Covell was shortlisted in the Aesthetica Art Prize 2014 with work from her acrylic paint series Black and White (2013), and has since exhibited at Middlesbrough…
FotoFest, the photography biennale in Houston, Texas, takes the theme of Changing Circumstances: Looking at the Future of the Planet for its 16th edition. The festival takes a fresh angle on climate change by focusing on what’s poetic, mysterious, wondrous and awe-inspiring about the natural world.
At times a celebration, other a mourning of British culture, Barbican launches Strange and Familiar, featuring photographs from foreign artists who visited Britain from the 1930s onwards.
Running alongside the Aesthetica Art Prize Exhibition is a dynamic series of lunchtime talks. Taking place at York St Mary’s, the talks are led by industry experts including curators and academics.
Cara Barer crafts a tangible record of the book as an object, resisting its encroaching obsolescence in the face of digital repositories of information.
Laurent Kronental’s Souvenir d’un Futur documents the lives of residents in the Grands Ensembles, the distinctive housing projects around Paris.
Centre Pompidou launches a retrospective of the still influential French designer whose craft, power and pragmatism set his work apart.
Constituting an imaginative reinterpretation of historical eras and literary masterpieces, Tagliavini explores idiosyncratic themes and characters.
For Alicia Savage, self-portraiture is a means to explore her past and present, including the literal and metaphorical journeys that she takes.
The spirit of pilgrimage is evoked in a striking new performance, Songs of the Wanderers, which looks at tradition through contemporary eyes.
A major exhibition opens at Tate Modern, creating a conversation between the dangers of domesticity and the depths of identity today.
Pervading Joshua Jordan’s charismatic works are figures who observe and undermine the borders in which they exist.
The Museum of Modern Art, New York, explores ideas of community as an intrinsic part of the aesthetics of contemporary Japanese architects.
Heroes is a photographic project that started in Italy in 2013. It is about craft shops and artisans that are disappearing.
Photo London spans decades, genres and use of both analogue and digital methods, showcasing an evolution of the artistic practice of photography.
Photographer Christopher Payne originally trained as an architect and has dedicated himself to the exploration of America’s industrial heritage.
Journalist Ellen Köhrer and expert Magdalena Schaffrin produce the first fashion publication that illustrates how green has become the new black.
John Hansard Gallery’s final exhibition before moving from Southampton University’s Highfield Campus. brings together two distinctly separate yet intimately entwined critical thinkers.
Marlborough Fine Art in London celebrates the lesser known print works of four internationally renowned sculptors: Louise Bourgeois, Anish Kapoor, Richard Serra and Kiki Smith.
The newly opened Leila Heller Gallery in Dubai is just the sprawling kind of space that does Iranian-American artist Y. Z. Kami’s (b. 1956) exhibition White Domes justice.
Ellen Carey came of age artistically in the 80s, which was a decade in photography that saw radical innovation and a move away from merely representational and reportorial image-making.
Playtime is Ad Minoliti’s first UK exhibition and is paired with a solo exhibition of two large paintings by Dale Lewis. Both exhibitions address what it is to have a gendered or non-gendered body in the digital age.
A major retrospective of the work of Paul Strand (1890-1976), and the first in the UK since the artist’s death opens at V&A, London.
Castlefield Gallery is showcasing Inside Out, a look at Outsider Artists and their followers. The term ‘outsider art’ was originally used to describe works created outside mainstream artistic boundaries.
Runo Lagomarsino is the son of Argentinian migrants, although by currently being based in Sweden and Brazil, he has become a sensitive litmus test of recent Mediterranean turmoil.
Curated by Vicente Todolí, Doubt at Pirelli HangarBicocca collates key pieces from Carsten Höller’s vast and impressive oeuvre. The show intends to evoke feelings of joy, illusion and doubt.
Now in its ninth year, the Aesthetica Creative Writing Award is open for entries and is looking for new writing talent. The award celebrates excellence in poetry and short fiction from across the world.
The Other Art Fair Victoria House returns for its 11th edition. Presenting shows and performance pieces from a variety of celebrated artists, the fair invites visitors to explore a diverse range of art.
Kalliopi Lemos’ work has been dedicated to raising questions about the processes and politics that cause forced migration and the impact that ‘neo-capitalism and the irresponsibility of political powers’ have on its victims, particularly women.
Gareth Cadwallader’s work has always sought to portray an idealised representation of the world. Sailor Girl II has been longlisted in theAesthetica Art Prize and will feature in the exhibition.
Though filling only two small rooms on South London Gallery’s first floor, Paul Maheke’s I Lost Track of the Swarm has scope far exceeding its confines. A ‘self-taught feminist’ with a particular interest in the pro-black and pro-sex movements, Maheke shies away from aligning his work with academia, preferring to think of it as poetical over theoretical. It is, nonetheless, both intellectually sophisticated and affectively powerful: the kind of output that can be felt and thought about with equal effect.
Belgian artist David Claerbout (b.1969) explores the conceptual impact of the passage of time through his use of video and digital photography. His oeuvre manipulates both moving and still imagery.
