Hauser & Wirth Zürich celebrates the centenary of the Dada movement with a comprehensive exhibition of three renowned Dadaists.

Arcangelo Sassolino’s (1967, Vicenza, Italy,) practice is developed to detain, enhance and set power free. Interpreting power as an element of resistance and demystification, Frankfurter Kunstverein presents “Mechanisms of Power”.

Galleria Continua presents a solo show by widely acclaimed British artist, Antony Gormley, in its Beijing space, featuring new installation Host.

Sydney based artist, Louise Zhang, creates sculptures and paintings that represent the grotesque: layered with beauty and repulsion simultaneously.

Deb Covell was shortlisted in the Aesthetica Art Prize 2014 with work from her acrylic paint series Black and White (2013), and has since exhibited at Middlesbrough…

FotoFest, the photography biennale in Houston, Texas, takes the theme of Changing Circumstances: Looking at the Future of the Planet for its 16th edition. The festival takes a fresh angle on climate change by focusing on what’s poetic, mysterious, wondrous and awe-inspiring about the natural world.

At times a celebration, other a mourning of British culture, Barbican launches Strange and Familiar, featuring photographs from foreign artists who visited Britain from the 1930s onwards.

Running alongside the Aesthetica Art Prize Exhibition is a dynamic series of lunchtime talks. Taking place at York St Mary’s, the talks are led by industry experts including curators and academics.

Cara Barer crafts a tangible record of the book as an object, resisting its encroaching obsolescence in the face of digital repositories of information.

Laurent Kronental’s Souvenir d’un Futur documents the lives of residents in the Grands Ensembles, the distinctive housing projects around Paris.

Centre Pompidou launches a retrospective of the still influential French designer whose craft, power and pragmatism set his work apart.

Constituting an imaginative reinterpretation of historical eras and literary masterpieces, Tagliavini explores idiosyncratic themes and characters.

For Alicia Savage, self-portraiture is a means to explore her past and present, including the literal and metaphorical journeys that she takes.

The spirit of pilgrimage is evoked in a striking new performance, Songs of the Wanderers, which looks at tradition through contemporary eyes.

A major exhibition opens at Tate Modern, creating a conversation between the dangers of domesticity and the depths of identity today.

Pervading Joshua Jordan’s charismatic works are figures who observe and undermine the borders in which they exist.

The Museum of Modern Art, New York, explores ideas of community as an intrinsic part of the aesthetics of contemporary Japanese architects.

Heroes is a photographic project that started in Italy in 2013. It is about craft shops and artisans that are disappearing.

Photo London spans decades, genres and use of both analogue and digital methods, showcasing an evolution of the artistic practice of photography.

Photographer Christopher Payne originally trained as an architect and has dedicated himself to the exploration of America’s industrial heritage.

Journalist Ellen Köhrer and expert Magdalena Schaffrin produce the first fashion publication that illustrates how green has become the new black.

John Hansard Gallery’s final exhibition before moving from Southampton University’s Highfield Campus. brings together two distinctly separate yet intimately entwined critical thinkers.

Marlborough Fine Art in London celebrates the lesser known print works of four internationally renowned sculptors: Louise Bourgeois, Anish Kapoor, Richard Serra and Kiki Smith.

The newly opened Leila Heller Gallery in Dubai is just the sprawling kind of space that does Iranian-American artist Y. Z. Kami’s (b. 1956) exhibition White Domes justice.

Ellen Carey came of age artistically in the 80s, which was a decade in photography that saw radical innovation and a move away from merely representational and reportorial image-making.

Playtime is Ad Minoliti’s first UK exhibition and is paired with a solo exhibition of two large paintings by Dale Lewis. Both exhibitions address what it is to have a gendered or non-gendered body in the digital age.

A major retrospective of the work of Paul Strand (1890-1976), and the first in the UK since the artist’s death opens at V&A, London.

Castlefield Gallery is showcasing Inside Out, a look at Outsider Artists and their followers. The term ‘outsider art’ was originally used to describe works created outside mainstream artistic boundaries.

Runo Lagomarsino is the son of Argentinian migrants, although by currently being based in Sweden and Brazil, he has become a sensitive litmus test of recent Mediterranean turmoil.

Curated by Vicente Todolí, Doubt at Pirelli HangarBicocca collates key pieces from Carsten Höller’s vast and impressive oeuvre. The show intends to evoke feelings of joy, illusion and doubt.

Now in its ninth year, the Aesthetica Creative Writing Award is open for entries and is looking for new writing talent. The award celebrates excellence in poetry and short fiction from across the world.

The Other Art Fair Victoria House returns for its 11th edition. Presenting shows and performance pieces from a variety of celebrated artists, the fair invites visitors to explore a diverse range of art.

Kalliopi Lemos’ work has been dedicated to raising questions about the processes and politics that cause forced migration and the impact that ‘neo-capitalism and the irresponsibility of political powers’ have on its victims, particularly women.

Gareth Cadwallader’s work has always sought to portray an idealised representation of the world. Sailor Girl II has been longlisted in theAesthetica Art Prize and will feature in the exhibition.

Though filling only two small rooms on South London Gallery’s first floor, Paul Maheke’s I Lost Track of the Swarm has scope far exceeding its confines. A ‘self-taught feminist’ with a particular interest in the pro-black and pro-sex movements, Maheke shies away from aligning his work with academia, preferring to think of it as poetical over theoretical. It is, nonetheless, both intellectually sophisticated and affectively powerful: the kind of output that can be felt and thought about with equal effect.

Belgian artist David Claerbout (b.1969) explores the conceptual impact of the passage of time through his use of video and digital photography. His oeuvre manipulates both moving and still imagery.

Tate hosts the first major exhibition to celebrate the spirited conversation between early photography and British art. It brings together photographs and paintings including Pre-Raphaelite, Aesthetic and British impressionist works.

This year sees the inaugural edition of the Aesthetica Art Prize Future Now Symposium – a new two-day event running on Thursday 26 May and Friday 27 May at York St John University as part of the annual Aesthetica Art Prize. The Future Now Symposium focuses on talent development, and tackle’s themes in today’s current artistic climate through lectures, workshops and panel discussions from within the arts ecosystem and broader social context.

John Baldessari’s recent works, created in the past year, examine the relationship between language and image, primarily through dislocation and the juxtaposing text and pictures at Sprueth Magers.

Once again, in Italy, the private gallery Massimo De Carlo Gallery has supported an institutional exhibition focused on highlighting a relevant international artist: Tony Lewis (b.1986).

Changes are afoot at Art Brussels with its relocation to a striking new site for its 2016 edition. Running from 21 April, the event will take place at Tour & Taxis, a turn of the 20th century customs house.

The Koppel Project, led by Gabriella Sonabend and Hannah Thorne is a creative hub bringing together a contemporary art gallery, project space, cafe and Phaidon pop-up bookshop. Located at 93 Baker Street, London, in a recently decommissioned Barclays Bank vault, the inaugural group exhibition currently on display – Pandiculate! The Joy of Stretching – sees the viewer delve deep into stage-set of unseen characters and absurd trophies amalgamated by tropes equally triggered by the viewer’s curiosity and physical demands of the architecture as commercial function of the bank is reallocated and adapts to becoming an exhibition space.

Lisa Immordino Vreeland’s portrait of the patron of modern art provides insight into an individual’s relationship with her creative contemporaries.

A platform for innovation and originality, the Aesthetica Art Prize Exhibition returns to York St Mary’s, 14 April – 29 May. To mark its 9th year, the award invites audiences to engage with some of today’s key cultural, social, political, environmental and economic themes through a selection of works by 10 shortlisted artists. There will also be talks and a new Symposium running alongside the exhibition.

Revealing the impact of William Henry Fox Talbot’s experiments with the form, the Science Museum unveils a major exhibition on the rise of a medium that changed the way people saw the world.

A Japanese Constellation focuses on the network of architects and designers that has developed around Pritzker Prize winners Toyo Ito and SANAA.

Each year the RBS Bursary Awards are given to 10 early career artists working in three dimensions judged to be of outstanding talent.

Concerned with the processes of individual projection onto natural environments, Espinasseau carves his own pathway for multi-media art, creating photo-collages, watercolours and sculptural works, which present small architectural utopias. His work questions the urban landscape as a place of ritual and relationships, drawing up a conversation between where nature and culture collide. We speak to the artists about the figurative nature of his works, and the complex notion of the environment as a blank page.

Henry Hussey creates artworks informed by significant moments in his life, choosing to juxtapose digital processes and a variety of fabric techniques such as embroidery, dyeing…

Longlisted for the Aesthetica Art Prize 2016, Sandra Wadkin’s They Came By Sea investigates the displacement of people through history. See her work in the upcoming exhibition at York St Mary’s.