Celebrated for her searching voice and haunting guitar, the American singer makes a welcome return to original material on this tenth album.

Including an introduction by street artist Lady Aiko and an interview with Stencil King, this is a stimulating introduction to stencils, spraypaint and public space.

Yorgos Lanthimos returns this autumn with his third feature film Alps, an extra­ordinary follow-up to Dogtooth, imbued with Lanthimos’ trademark style.

Straddling the worlds of art, architecture and consumer culture, the Bouroullec brothers open their first mid-career survey at MCA Chicago this autumn.

Late September is a portrait of lonely people discovering unpalatable truths about themselves at a 65th birthday party.

The 24 Hour Plays nurtures theatrical talent by putting a select group of young theatre-makers together to create vibrant new work that challenges their creativity.

The Bitter Years offers a poignant and heartbreaking insight into The Great Depression of the 1930s.

Focusing on the unseen world of Iranian youth culture, the narrative develops around the relationship of two young girls, Atafeh and Shireen.

In My View is a valuable collection of vignettes, personal stories, moments and reflections from the contemporary art world’s most recognisable figures.

A story of rehabilitation, Breathing doesn’t hammer home its theme of new life through death. Instead, it focuses on a young man with a Year Zero outlook.

Fragments is the hotly anticipated second album from septet Submotion Orchestra and it doesn’t disappoint.

Vancouver-based Brasstronaut’s sound has developed over the years to include six members playing instruments such as flugelhorn, lap steel and trumpets in addition to their usual line up.

While the rest of the world was enamoured with The Beatles, Claude François was a sensation in France.

Matthew Akers delivers a living portrait of Marina Abramović, one of the most radical, provocative, uncompromising and extreme figures of the last 40 years.

Nathalie is consumed by grief when her handsome husband dies, but three years down the line, she surprises herself by falling for an awkward Swedish man.

The wry humour woven through this initially subversive battle of the sexes never really goes away, even as the drama takes on a harsher, realist perspective.

Based on the 1885 novel of the same name by Guy de Maupassant, Bel Ami is a fast-paced romp through the Parisian high society of the late 19th century.

From the instant 12 Bit Blues starts playing, an incredibly thrilling experience begins. As a listener, you feel like you’ve been given access to a rare privilege.

With their third full-length album, Said the Whale prove themselves to be experts in blending diverse elements into an ultimately harmonious end result.

Room E is a San Diego-based producer and he makes gentle electronica. The album, Penguin Child, is a very relaxed walk through this particular genre.