Tina Simakova is a master of natural light and minimal settings, using them to create atmospheric portraits rooted in intimacy and vulnerability.

Chrissy Lush’s figures are often set within domestic and suburban environments, responding to external pressures located just outside the picture frame.

Linda Westin brings methods from neuroscience into artworks. These pictures present forest canopies like portals into other worlds, where the skies glow.

In portraiture, Senay Berhe demonstrates a considered approach to framing and lighting, whilst also emphasising the depths of human emotion.

A new publication highlights BIG’s two-decades-long pursuit of innovative architectural forms that surprise, engage and transform the way we live.

West African symbolism, cinematic storytelling and personal history come together in a celebration of Côte d’Ivoire’s photographic landscape at ICP.

Jane Fulton Alt has spent more than 40 years visiting a lake in northern Wisconsin, where the season for water lilies is as fleeting as the light.

Harold Ross’s long exposure Night series, in which trees and clearings are bathed in a bright white glow, evokes a feeling of enchantment and mystery.

Steve McQueen presents a powerful ensemble of multimedia works that explore the boundaries of imagination, memory, space and time.

Marie Dreezen’s The Bluest of Days is a standout photography collection in which sandy beaches, rendered in blue, are floodlit by spectral shapes.

How nine photographers have shaped visions of Japan’s post-war architecture, whilst offering new and innovative suggestions for the genre’s future.

Striking underwater pictures feature in a brand new compendium dedicated to contemporary image-makers from across Australia and New Zealand.

Experimenting with analogue cameras to capture dreamlike, sun-dappled pictures of plants, petals and leaves that seem to drift in and out of sharp focus.

Environmental art, photography and sculpture come together in Gjert Rognli’s images, which are inspired by the shifting seasons across northern Norway.

Lotte Ekkel creates interesting crops of buildings and brings details into focus, harnessing natural light as a subject and guide when making pictures in the city.

Portraits visualise the deep connection between bodies and nature, with subjects nestling within mossy forests and high up mountainous peaks.

Michelle Piergoelam retells crucial Surinamese oral histories, which are rooted in hope, through atmospheric visual storytelling methodologies.

Elena Paraskeva is a conceptual photographer who embraces Surrealism to construct thought provoking compositions in beauty and fine art.

Brooke DiDonato’s images stretch the boundaries of what is possible, asking us to look at domestic settings, landscapes and everyday objects again.

Ingrid Weyland harnesses scrunched-up paper as a metaphor for humanity’s impact on nature, overlaying forest scenes with twisted print-outs.