Portraits in Bloom
The boundaries between self and organic world dissolve in Tamara Dean’s portraits, as the artist navigates bright bushes and towering treetops.
The boundaries between self and organic world dissolve in Tamara Dean’s portraits, as the artist navigates bright bushes and towering treetops.
Frank Relle travels along Louisiana’s waterways, recording otherworldly images of cypresses by using an intricate lighting system rigged to his flatboat.
Renowned architect Kengo Kuma reflects upon a decade of structures, dedicated to renewing the bonds made between nature, people and places.
Svetlana Talanova makes her works by hand in the darkroom, using photosensitive paper to show how patterns can often recur across humans and plants.
Photomontages by Daniel Rose collide leaves and branches with geometric shapes, offering a fresh new perspective on the Japanese art form of ikebana.
Nuno Serrão’s minimalist images offer small parts of wider and complex narratives that are united by cinematic aesthetics and a sensitivity to the world.
A new exhibition as part of Rencontres d’Arles 2026 reassesses the long history of flowers in photography, from a contemporary viewpoint.
Street photographers offer an array of different perspectives on Tokyo, a global metropolis that is known for its blend of tradition and futurism.
Linda Burris Webster draws attention to various geopolitical concerns, tearing, twisting, cutting, crumpling and reshaping maps into sculptures.
Tina Simakova is a master of natural light and minimal settings, using them to create atmospheric portraits rooted in intimacy and vulnerability.
Chrissy Lush’s figures are often set within domestic and suburban environments, responding to external pressures located just outside the picture frame.
Linda Westin brings methods from neuroscience into artworks. These pictures present forest canopies like portals into other worlds, where the skies glow.
In portraiture, Senay Berhe demonstrates a considered approach to framing and lighting, whilst also emphasising the depths of human emotion.
A new publication highlights BIG’s two-decades-long pursuit of innovative architectural forms that surprise, engage and transform the way we live.
West African symbolism, cinematic storytelling and personal history come together in a celebration of Côte d’Ivoire’s photographic landscape at ICP.
Jane Fulton Alt has spent more than 40 years visiting a lake in northern Wisconsin, where the season for water lilies is as fleeting as the light.
Harold Ross’s long exposure Night series, in which trees and clearings are bathed in a bright white glow, evokes a feeling of enchantment and mystery.
Steve McQueen presents a powerful ensemble of multimedia works that explore the boundaries of imagination, memory, space and time.
Marie Dreezen’s The Bluest of Days is a standout photography collection in which sandy beaches, rendered in blue, are floodlit by spectral shapes.
