Idris Khan: Monument and Memory
Following a competition held in early 2016, British-born Idris Khan was selected as the chosen designer of both the Memorial and the Pavilion of Honor.
Following a competition held in early 2016, British-born Idris Khan was selected as the chosen designer of both the Memorial and the Pavilion of Honor.
Social injustice is a common theme in the works of Nick Cave; this installation stems from the deaths of Eric Garner, Trayvon Martin and Michael Brown in police hands.
Aesthetica Art Prize 2016 finalist Liz West returns to her hometown of Barnsley in a retrospective at The Civic depicting a vivid approach to light and colour.
A series of installations at the Israel Museum, Jerusalem, by renowned activist and artist Ai Weiwei explores the individual’s relationship to social culture.
Gillian Wearing’s Rock ‘n’ Roll 70 at the ICA, Boston, consists of digitally enhanced portraits in an investigation of technology and modern day society.
NGV Melbourne have commissioned a dynamic reinvention of the suburban car wash built in the Grollo Equiset Garden this spring.
Previously exhibited in New York and due to show in Dusseldorf mid next year, Marcel Broodthaers: A Retrospective is travelling across cultural art capitals.
Throughout January 2017 Pipilotti Rist’s Open My Glade (Flatten) 2000-2017 is mounted across 60 synchronised electronic billboards in Times Square.
Please Return Polaroid shares a rare insight into the technical processes of shoots: from storyboarding and initial ideas to the finished composition.
Anne Hoerter discusses the development of a practice based upon the intersection between still life painting and technology.
The Donata Pizzi Collection is now revealing one of the widest representation of Italian women photographers ever exhibited in the last 20 years.
In 2016 Leeds College of Art celebrated 170 years of delivering art education. A final alumni exhibition brings the anniversary commemoration to a close.
The inaugural edition of Photofairs San Francisco launches this January, expanding upon the photography showcased in the Shanghai fair.
The Aesthetica Creative Writing Anthology returns with a selection of extraordinary short fiction and poetry to spark the literary imagination.
In conversation with Aesthetica, Austria-born Clemens Ascher discusses his newest series, The Red Drink, which uses symbolism to critique advertising.
Helen Marten has been awarded the 2016 Turner Prize, as announced at Tate Britain earlier this week, one of the best-known projects for the visual arts in the world.
Fondation, previously exhibited at the Louvre and as part of a group show at Baalbek archaeological site in Lebanon, is close to a Duchampian ready-made.
Art Kaohsiung launches its fourth edition. Attracting innovative practitioners, it converges the boundaries of South-eastern and North-eastern Asian art.
Alex Hartley questions the conventional qualities of the present and the expectations that construct contemporary life at Victoria Miro gallery, London.
