Produced by Art and Theory Publishing, Contemporary Swedish Photography is an overview of the stunning imagery being captured by Swedish artists.

Elizabeth “Gazelle Twin” Bernholz’s new release UNFLESH trades in disturbingly sensual electronica inspired by body horror, puberty and high school sports.

Emily Shur’s sensitivity towards colour and her quiet approach to scenery results in stunningly still images that uncover beauty in the most ordinary subjects.

Julie Cockburn transforms second-hand objects and images to produce entirely new pieces, injecting new life into mundane and forgotten items.

What should be a cut-and-dry kidnap plot by Detroit crooks Ordell and Louis soon goes amusingly awry in this adaptation of Elmore Leonard’s 1978 novel The Switch.

The spectre of a nuclear power plant looms large over the lives of the protagonists in this carefully constructed love triangle by Rebecca Zlotowski

Awash with colour, South London trio Dems unleash a brilliant debut in the form of the concise, emotive, Muscle Memory.

The 39th London International Mime Festival focuses on the spaces between theatre and dance, playing with language, and making the invisible visible.

In a major survey at The Serpentine Gallery, German conceptual sculptor Reiner Ruthenbeck explores geometric forms found in everyday materials.

Allan Karlsson has saved Franco’s life, watched A-bombs with Oppenheimer and danced with Stalin. Not that the folk in the care home know anything about that…

The primary coloured houses of the Northern Hemisphere stand out against washed-out streets, and even the most mundane objects become almost mystical half-disguised in the frosty weather.

Frank Gehry, an architect responsible for some of the world’s most visually and technically outstanding constructions, is celebrated.

William Helburn’s appreciation of feminine beauty, combined with his charismatic personality, resulted in a practice that saw him working with most of the top ad agencies in New York.

100 Painters of Tomorrow overthrows the idea that painting is dead and instead demonstrates why the art form continues to persist, evolve and remain relevant.

This beautifully produced new book, compiled by Jean Claude Gautrand, showcases the array of work produced by Doisneau over his 60-year career.

This unique compendium substitutes glossy editorial spreads for disposable snaps of poster- splattered bedrooms, Kappa-clad holidays and Brixton raves.

Lingering amongst the rubble of loss, Hong Khaou’s feature-length debut, Lilting, dwells on the limits of language.

When John Maloof bought of a box of negatives in a Chicago auction, little did he expect to uncover one of the 20th century’s most important photographers.

An imaginative cluster of oddball pop that pursues spontaneity and contradiction at the very boundaries of the genre.

The artists in this book do not subscribe to a common philosophy of image-making; rather choosing to share social and technological methods of creation.