Last Chance to See: Hubert Dalwood, Mead Gallery, Warwick Arts Centre.
Review by David Levesley ‘What we can and must reinstate is the primacy of the imagination’ said Dalwood, a sculptor who’s impressive credentials do not…
Review by David Levesley ‘What we can and must reinstate is the primacy of the imagination’ said Dalwood, a sculptor who’s impressive credentials do not…
Review by Amelia Groom In 1942 André Breton staged an exhibition in New York at the Whitelaw Reid Mansion called First Papers of Surrealism, the…
The Aesthetica Creative Works Competition is open for entries! Now in its fourth year, the competition is dedicated to celebrating and championing creative talent across…
Review by Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. The current exhibition at Freud…
Review by Alex Gibson The building was beautiful and it was light. The rooms are impeccably restored so that visiting the Raven Row gallery would…
Review by Angela Darby Belfast‘s reputation is one of a fractured city in which city planning was curtailed or defined by social unrest. However, over…
Review by Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. Vorticism was a British Avant…
Pioneered by Angela Flowers in 1983 Artist of the Day is an annual event whereby ten selectors choose an artist to each hold a one…
Review by Alex Tieghi-Walker Tucked underneath an ordinary yellow-bricked housing development, like so many now trailing the canal in East London, is a rather extraordinary…
Review by Paul Hardman Bronstein is the first artist to have had the opportunity to use all of the ICA‘s available spaces for a solo…
Established in 2007, the Catlin Art Prize recognises and supports the development of recent art graduates in the UK. Following their final degree shows, artists…
Review by Lucy Hobbs Five tomato cans, elevated on a cylindrical platform boasting tightly-knitted mauve exteriors introduce visitors to Haegue Yang’s foremost solo UK exhibition…
Review by Regina Papachlimitzou In Theatrum Orbis Terrarum, Dutch artist Marjolijn Dijkman offers a fresh and intriguing perspective on the well-trodden but nonetheless relevant and…
Review by Kenn Taylor A new entry on Liverpool’s cultural calendar, Look11, is a vast photography festival encompassing exhibitions, events and projects taking place over…
Review by Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. The Role Play exhibit is…
Review by Paul Hardman The most important thing to say about this George Shaw exhibition, The Sly and Unseen Day is that the paintings are…
Angus Fairhurst (1966-2008) was one of the most influential members of the group of artists associated with London’s Goldsmiths College in the late 1980s. Fairhurst…
Interview by Bethany Rex EB&Flow opened this spring in Shoreditch with an aim to build long term relationships with artists from a formative stage in…
Our June/July issue has just hit the shelves, which covers the latest opening at the Guggenheim Bilbao, ArtAngel’s new commission at MIF and features Bruce…
