Light, form and shadow: Barbara Kasten’s experimental photography and cinematic installations are dynamically exposed to audiences at the ICA.

Born in Latvia, Iveta Vaivode (b. 1979) asks viewers to stop and appreciate the natural beauty in the world, whether that is in the village where her grandmother was born or in the stillness of an operatic performance. The romantic and nostalgic photographs look at the world as if through the objective and inquisitive eyes of a child.

Belgian photographer Reginald Van de Velde stops time with reflective images of abandoned spaces. In capturing structures that are slipping into disrepair, he saves them forever, temporarily halting the progress of nature as it pulls each space back into the dust from which it came.

For four decades, with his ground-breaking label, Manfred Eicher has changed how jazz and other experimental genres are thought about, recorded and visually represented.

Italian filmmaker Uberto Pasolini researches the social lives of others by way of fish and chip shops and funeral parlours to reflect upon the life of a man who works for the dead.

This solo show by Corinne Felgate is comprised of two new major installations: Bigger than the Both of Us (MOMA) and Studio X Y Z. Both draw on the artist’s research into our relationship with the man-made environment.

Sarah Gillespie’s works on paper depict, in simple ink and charcoal, ghostly landscapes and images of flora and fauna reminiscent of photograms, heavily saturated photographs or even paintings.

Anna Parkina’s work defies categorisation; appropriating the human ephemera of modern day culture and society, she creates works that reflect the human experience and environment.

This February Stephen McKenna: Perspectives of Europe 1980 – 2014 opens at mima in partnership with Hugh Lane Gallery, and is the artist’s largest museum solo presentation in a decade.

Through work spanning 50 years of the artist’s long career, this exhibition at Robilant+Voena, London, will focus on Italian artist Mimmo Rotella’s fascination with innovative techniques.

In 20 bittersweet photographs taken over the last century from master photographers, this exhibition explores youth culture and the various rites of passage towards adulthood.

Rawiya is the first all-female collective to emerge from the Middle East. With this show at Impressions Gallery they hold a specific focus on gender and identity.

The Art Fund has teamed up with one of the most respected names in the travel industry, cazenove+loyd, to offer audiences insightful and luxurious art tours to international destinations.

Wait Until It Dries at Encounter Contemporary is features new works by acclaimed and forward-thinking Taiwanese artist Shih Hsiung Chou.

Two series of long-exposure photographs document impressions on the surface of the planet, one capturing Kenya’s Lewis Glacier, the second depicting the Bamiyan Valley of Afghanistan.

In this retrospective of American artist Jeff Koons, Pompidou Centre provides viewers with an illuminating chronology on the evolution of one of contemporary art’s most controversial figures.

In Nottingham Contemporary’s latest exhibition, 20 international artists reflect upon the ecological, economic, political, and cultural crises of our modern world.

With 20 photographs Alex Soth moves away from the haunting and influential portraits and landscapes that he has become known for, and turns his lens toward life in the country.

We speak to Linda Ingham, Curator and Project Officer at Abbey Walk, about the gallery’s attendance at London Art Fair. Alongside her involvement with gallery programming, Ingham is also an artist.

The world’s leading museum devoted to architecture and design, The Hasselt Fashion Museum, takes audiences behind the scenes of Paul Smith’s world, which is dominated by intuitive creativity, in Hello, My Name is Paul Smith.

Continuing Christian Marclay’s long-standing interest in the relationship between image and sound, this show is comprised of works on canvas and paper.

Bruce Silverstein shows large-scale paintings on canvas as well as a single over-painted photograph belonging to Max Neumann, who has been the focus of over 150 solo exhibitions.

Seven influential abstract painters from the 1970s exhibit works demonstrating a reductive and disciplined articulation of the sensations of light, form, sound, colour and space at Flowers Gallery, London, in Seven from the Seventies.

In We Never Dream Alone, works by Sidsel Christensen, Andrew Leventis and Lisa Slominski see the borders between real and unreal, fact and fiction, virtual and visceral, and blurred and explored.

The UK’s premier fair for Modern and contemporary British art opens for its private view. Situated in the Business Design Centre, Islington, the 27th edition of the London Art Fair runs 21-25 January.

In the build up to its 45th anniversary, Flowers brings a diverse showcase of international practitioners to the London Art Fair. The family run gallery was established in 1970 by Angela Flowers.

The Arts Club in London presents a selection of work spanning the career of American photographer Laurie Simmons. Gender and sexuality are recurring themes in her work.

This group exhibition explores the concept of landscapes, both traditional and abstract, and the selection of work depicts both the external world and internal responses to nature.

Anna Vogel transforms found photography with painting techniques, such as varnish, acrylic, ink and pigment, to manipulate the reality of the natural landscape into a surrealist scene.

The Zabludowicz Collection Invites series is a unique opportunity for UK-based artists without commercial gallery representation to showcase their work in a solo exhibition at a dedicated project space at Zabludowicz Collection.

This spring, Kunsthal Rotterdam presents Two Hundred Years of the Kingdom of the Netherlands: The Atlas Van Stolk until 8 March. The exhibition includes hundreds of prints, drawings, photographs, cartoons and posters.

Exciting, contemporary and devoid of delineation, Nástio Mosquito defies categorisation and points towards a new culture of art that combines pop, performance, fine art and politics.

Kevin Cooley considers our evolving relationship with technology, nature, and ultimately each other. The underlying conceptual framework of his work is how these forces contend with each other.

Prolific outsider artist Mary Barnes (1923-2001) is represented in an exhibition featuring paintings and drawings spanning her artistic career which began in the 1960s in Bow, East London.

For his first London exhibition, internationally acclaimed photographer Hugh Arnold presents Agua Nacida (water born), a truly unique collection of hauntingly beautiful large-scale nudes.

FutureEverything is not staging a retrospective, but a platform for a global community to collaboratively reflect on the bleeding edges of art, academia, design and business.

In 2011 Susan Hiller took London by storm with a massive retrospective at Tate Britain and new works at the Timothy Taylor Gallery.

During December 2014, the small fishing town of Kochi in South India’s state of Kerala, was besieged by the international art crowd as the Kochi-Muziris Biennale 2014 (KMB) opened its second edition.

Guest curated by Dina Nasser Khadivi and featuring a major new commission, this exhibition marks the opening of YARAT Contemporary Art Space in Baku.

Photographer J. Shotti works at the intersection between life and art. His first solo project, a collection of instant film images entitled EVERY TWO WEEKS.

Bali-based American artist, Ashley Bickerton returns to Singapore after his successful show Junk Anthropologies, with new stitched-canvas works which appertain to his signature funk style.

For the fourth year in a row 130 emerging designers from 30 countries will come together in the largest public fashion exhibition of its kind.

Artists have been recreating their own image for centuries, from advertisement and preserving legacy, to figurative studies, political commentary and biographical exploration, self-representation has shaped Western art.

The second show at Dominique Lévy’s new London space will map the progression of the abstract white relief geographically and through time, with a focus on the 1930s to 1970s.

For his first solo exhibition at the Alan Cristea Gallery, Turner Prize winner and Royal Academician Richard Long will exhibit a series of new, monumental carborundum relief prints.

In the run up to the 2015 General Election, History Is Now will look at the last 70 years of British history to offer a new way of thinking about how we got to where we are today.

The practice of photographer and film maker Ori Gersht addresses post war trauma by documenting the landscapes that have witnessed it. Don’t Look Back revisits three bodies of work.

Formed by Heinz Mack and Otto Piene of the Kunstakademie Düsseldorf, the ZERO movement rejected the gestural language of abstract expressionism and instead sought for an artistic purity in the wake of the trauma of the Second World War.

Group exhibition, Playtime, is the final Cornerhouse group exhibition before they make their move into HOME in May 2015. The show sees a selection of artists including Rosa Barba, Niklas Goldbach, Andy Graydon and many more.

Described as a “grotto of visual excess” Julie Verhoeven’s exploration of gender identity past and present is a disturbing explosion of kitsch and womanhood.