Sebastiaan Knot’s illusory geometries are created without any digital manipulation. Crisply folded sheets of card pop out from orange and purple walls.

“I felt I was looking at a great untold story of art-love in the UK today.” The ING Discerning Eye Exhibition returns with a diverse array of contemporary work.

In 2022, the sea takes on a new dimension: it is now a fragile ecosystem threatened by major ecological collapse. A new book chronicles art and the ocean.

We speak to Richard Mosse about his latest film, which depicts the destruction of the Amazon, asking us to look anew at environmental and social disaster.

Huxley-Parlour Gallery, London, provides an insight into Dora Maar’s early photographic practice, anticipating a later interest in the unconscious.

What makes a “good” portrait? The Taylor Wessing Photographic Portrait Prize 2022 showcases more than 50 examples of contemporary portraiture.

Chris Killip is remembered as one of Britain’s most influential post-war documentarians, working across the north of England in the 1970s and 1980s.

This year’s Foam Talents “look closely at both the world around us, and the one within,” addressing pressing issues of our times through photography.

The idea of hinterlands – the land away from the coast or the banks of a river – is at the core of BALTIC’s show, using art to bring us closer to nature.

Colour-blocking has been a huge source of inspiration for artists and designers since the early 20th century. Here are four contemporary examples.

Paula Mahoney’s works are at once performative and surreal, drawing attention to the sense of loss and mourning that can be evoked by clothing.

An exhibition in Santa Monica highlights artists with diverse backgrounds – illustrating the central relationship between the humans and the land.

Since the late-1990s, Hannah Starkey has been dedicated to photographing women, exploring the ways they are, and have been depicted.

Here are five trailblazing contemporary portraitists to know from London’s fair: lens-based artists who explore ideas of identity, belonging and place.

Ash Camas’ vivid images – taken in Canada, France, Sweden and beyond – encourage us to look at cities anew: cropping, repositioning and flattening them.

Glenn Lutz’s landmark publication comes from the desire to “create a work in which Black men came together to open up and share their experiences.”

During lockdown, London’s Museum of Youth Culture encouraged the public to delve through old shoeboxes, look in attics and flick through albums.

Margriet Smulders’ contemporary vanitas depict petals, berries and leaves floating on water – causing ripples and washes of colour to bleed and blend.

Mónica de Miranda explores the island as a visual metaphor for the wider Afrodiasporic experience alongside Europe’s complex colonialist histories.

Omar Torres’ images symbolise an attempt to reach equilibrium. Everyday objects are arranged in balancing acts, held on the brink of collapse.