Omar Torres’ images symbolise an attempt to reach equilibrium. Everyday objects are arranged in balancing acts, held on the brink of collapse.
This article appears in full in Issue 109 of Aesthetica Magazine.
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Esther Hovers’ False Positives features intelligent surveillance systems – cameras that are able to detect deviant behaviour within public spaces.
“To make a long story short, I’m not a very organised person.” So opens Bruce Gilden’s new monograph – New York negatives from 40 years ago.
Amidst a climate emergency, The Art of Earth Architecture questions how natural materials can contribute to a sustainable future.