BALTIC Curator of Exhibitions and Research, Alessandro Vincentelli, speaks about Jasmina Cibic’s latest exhibition, This Machine Builds Nations.

As part of Photo London 2018 at Somerset House, Huxley-Parlour, London, celebrates the work of females behind the lens.

Ethereal and dreamlike meets surreal and striking in the new Erik Madigan Heck exhibition at the Christopher Guye Galerie, Zurich.

Shows running 12-13 May celebrate pioneering practitioners from the early 20th century up to the present day, offering responsive approaches.

12 shortlisted artists from the Aesthetica Art Prize push the boundaries of innovation, calling upon the value that we place on the world around us.

“Creating architecture is like planting seeds of the future.” Innovative architect Sou Fujimoto is celebrated in Japan House London’s new show.

Tania Franco-Klein, a photographer shortlisted for the Aesthetica Art Prize in 2017, is interested in documenting social behaviour.

The first exhibition by the artist duo Tania Brassesco and Lazlo Passi Norberto is a heartfelt homage to the style of 19th century painting.

Valentina Loffredo’s images draw a parallel between our life and a seascape and observes what happens after a sudden and unexpected storm.

Moving into May, major art fairs, group shows and solo exhibitions offer deeply conceptual approaches to photography and installation.  

This month’s new releases look at the importance of architectural and photographic forms for the continuation of social innovation and progression. 

Thomas Jordan is an American photographer, living and working in Illinois. He finds inspiration in Chicago Suburbs, looking for moments of clarity.

VR and Data-Influenced Artworks: The New Language of Software, a panel discussion at the Future Now Symposium, looks at new languages.

Thames and Hudson’s The Spirit of Bauhaus historicises the movement’s origins, reminding readers of the roots which led to an ongoing legacy.

Shortlisted for the Aesthetica Art Prize 2018, Shauna Frischkorn contemplates how photography acts as a tool to evaluate the world around us.

Sam Johnson finds satisfaction in creating beauty through perceivable mundanity. The images introduce viewers into Jungian landscapes.

The arts industry, like any other, still carries a certain amount of imbalance. Ahead of Future Now, Amira Gad, Serpentine Gallery, looks directly at the issue.

The digital age has changed our perceptions of physical space. Leading practitioners swap traditional media for the language of technology .

The vastness of the Scandinavian landscape is highlighted in Norway Contemporary! currently on show at Museum Kunst der Westküste.

Large format photographers from the 1960s and 1970s granted Matt Porch his main inspiration – the resulting works both glamourise and simplify streets.