Melbourne Design Week provides an annual celebration of creativity and innovation, drawing links between practitioners and businesses.

Daniel Shea is the winner of the 12th edition of The Foam Paul Huf Award. The work reflects on the urban landscape of late capitalism.

Fondation Cartier pour l’Art Contemporain presents Freeing Architecture, the first major solo exhibition devoted to the work of Junya Ishigami.

For A Slight Shift at the Sous Les Etoiles Gallery, Paris, three artists employ manmade mediums to provide poetic interpretations of the landscape.

Bas Princen challenges how audiences perceive buildings in relation to their surroundings through a new exhibition at Vitra Design Museum.

For Marciano Art Foundation’s second artistic project, Icelandic artist Olafur Eliasson takes over the expansive Theater Gallery.

Seydou Keïta was a portrait photographer who found fame late in life. His archive, brought to light in the early 1990s, facilitated international recognition.

Conjuring a bygone spirit of Americana, Phil Donohue’s works reflect a sense of stippling anonymity and recession on Route 66.

Curatorial Activism: Towards an Ethics of Curating re-examines under-representation, questioning why there is still imbalance in the wider industry.

In an era of fake news, how can the individual decipher the true course of events? Exhibitions opening 10-11 March focus on narrative forms.

Italo Calvino’s Le città invisibili is the inspiration behind Invisible Cities: Architecture of the Line at Waddington Custot, London.

Marking the continued journey to establish gender equality, global and cultural institutions celebrate International Women’s Day.

National Gallery of Art, Washington, showcases the works of Sally Mann as she explores communicative landscapes and sombre subject matters.

Solid Light Works is the first major UK exhibition of Anthony McCall’s work in over ten years, in which the visitor is immersed in three new installations.

Investigating different forms of transformation, this month’s upcoming releases look at the various ways in which we perceive and conceptualise space.

In 1947 – long before the dawn of the camera phone – Polaroid offered consumers an accessible method of visual documentation.

Vienna-based artist Charlotte Pann focuses on the phenomenon of relation as a base for and as a result of spatial constellation.

This weekend, 3-4 March, galleries across the globe ask how meaning is constructed and challenged in today’s unsteady climate.

Gianfilipo di Rossi finds precision and inspiration in the composition of the city’s architecture, with works that are a harmonious exertion of form.

In order to move forward, it is often important to look back. MIA Photo Fair celebrates the history of the medium whilst introducing new methods.