Profiling the announcement of the annual awards through a celebration of structural excellence that pushes beyond aesthetics and functionality.

Circulation(s) returns for 2018, showcasing the imaginations of emerging photographers that touch upon wider social and political issues.

Bridging the boundaries between art, culture and philosophy, HowTheLightGetsIn Festival makes sense of the world through a diverse progamme.

Working primarily in staged self-portraiture, Maher is widely known for obscuring the faces of her subjects, using symbol and colour to convey emotion and narrative.

Giacomo Infantino’s work uses staged scenes to evoke intimate and personalised narratives. The featured images outline places in Varese.

Future Now provides an imaginative platform for attendees to consider the arts ecosystem within a broader social, political and professional context.

The top picks for 24-25 March engage with art history, reinventing traditional approaches through photography and installation.

Smithsonian American Art Museum, Washington DC, offers an incredibly idiosyncratic installation – a trip down Do Ho Suh’s memory lane.

Marian Goodman Gallery, Paris, revisits Ettore Spalletti’s monochromatic, minimalist panels with What is the most profound in a man, is the skin.

Practitioners featured at The Other Art Fair explore and subvert the everyday through new and surprising methods.

By 2050, 70% of the world’s population will live in urbanised surroundings. Current exhibitions embrace, escape and offer solutions to this issue.

New York Times invites a mix of practitioners, industry experts and prolific tastemakers to discuss the most pressing issues in art today.

Only 30% of artists represented by commercial galleries are women. Exhibitors at Photo London foreground a strong female presence.

Monty Kaplan fluctuates between modes of working. Colour is rendered as an emotive backdrop, carrying a sense of joy and woeful nostalgia.

The selection for 17-18 March celebrates the past, present and future of creative practice through performance, installation and images.

Miles Aldridge collaborates with other creatives, building cinematic narratives that engage with image-making from all angles.

In advance of their first edition, which will take place at the end of March, Photo Macau hosts a curated agenda of exhibitions, installations and conferences.

The rising popularity of documentary reflects a burgeoning desire to make sense of the world. An exhibition examines the genre’s history.

In producing Somnyama Ngonyama, Zanele Muholi took a self-portrait every day, documenting the injustices she witnessed in her everyday life.

Melbourne Design Week provides an annual celebration of creativity and innovation, drawing links between practitioners and businesses.