Olafur Eliasson returns to Tate with ‘In Real Life’, an expansive retrospective spanning three decades and responding to the climate crisis.

Neon letters. Coca-Cola adverts. Road signs. Since the early 1960s, photographer Lee Friedlander has recorded this urban vernacular.

Tokyo-Yokosuka: 1976-1983 is an artefact from the Japanese economic boom, taken while the capital was in technological overdrive.

The ING Discerning Eye Exhibition returns for 2019, offering emerging artists a key platform to take their practice to the next level.

Jodrell Bank, the astronomical observation site, has received World Heritage status due to its “tremendous scientific endeavours.”

Twelve names have been selected for the eighth cycle of the Prix Pictet, the photography and sustainability this year themed around Hope.

Selected shows look at new technologies in photography, science and medicine, documenting economic and environmental realities.

Anthony McCall’s creations go beyond the familiar boundaries between sculpture, cinema, and drawing to create imaginative, dream-like experiences.

Dean West’s ‘2015-2020’ series contains a system of signs, visual clues and deeply embedded narratives. The images ruminate cloudless skies in Palm Springs.

The 22nd edition of PHotoESPAÑA is arranged around key principles: nationhood, the environment and the next generation of talent.

MIF takes residence in Manchester. Aesthetica whittles down 10 must-see events at the festival of contemporary music, arts and performance.

Cherie Federico, Co-founder of Aesthetica, will receive an Honorary Doctorate from University of the Arts London, London College of Communication.

Top picks for the end of June include architectural structures, a celebration of female photographers and a call-to-action on the climate crisis.

Cindy Sherman is widely recognised as one of the world’s leading contemporary artists. A major retrospective opens at National Portrait Gallery.

From intimate documentary to surreal staging, Aesthetica selects five female-led exhibitions to see during the Rencontres d’Arles festival.

Properly implemented bus routes, congestion zones, inner-city parks and bike lanes are unlocking huge benefits for local communities.

‘Ultra: Art for the Women’s World Cup’, explores the joy, sorrow and excess of professional football through multimedia works and colour theory.

Andrew Albright’s compositions contain dreamy shifts in light and colour. They revel in high exposure to reveal neon palettes in the everyday.

Made whilst living in Yangon, Myanmar, Jerome Ming’s new series, Oobanken, derives from an early interest in structures and interventions.

Turner Prize artist Mark Leckey returns to Tate Britain, London, with ‘O’ Magic Power of Bleakness’.