Tallula Scrimshaw
Tallula Scrimshaw is best known for her installation pieces; tactile sculptures made from scrim and plaster or clay hang and drape to create tension.
Tallula Scrimshaw is best known for her installation pieces; tactile sculptures made from scrim and plaster or clay hang and drape to create tension.
This issue is about realignment and hope. As humans, we need to understand our place in the world and the fragility of this ecosystem.
KangHee Kim distils the everyday, transforming it into something altogether different and utterly fantastical – encouraging imagination in viewers.
Through bold costume, colours, pageantry and performance, Athi-Patra Ruga asks meaningful questions about how to decolonise the art sector.
Julia Keil’s self-portraits reference works from the worlds of film and fine art to express familiar experiences whilst living in global lockdown.
World Photography Organisation outlines the principles behind successful visual storytelling through technical and conceptual innovation.
How can architecture create a more inclusive and connected world? Lina Bo Bardi offers vital lessons about how to rebuild and repurpose.
Humanity’s interactions with nature are swiftly being rewritten. Makoto Azuma investigates this idea through large-scale botanical installations.
Diane Villadsen builds on our appetite for candy coloured compositions. Dreamlike tones move from blush pink and lemon yellow to soft lilac.
Photographs from Nana Yaw Oduro provide the manifestation of thought and emotion, expressed through bright colours and physical movements.
Anna Devís and Daniel Rueda’s images redefine the conventions of structural photography with an aesthetic inspired by metropolitan living.
Six N. Five develops the idea of “non-spaces” that captivate the attention, providing a visual oasis that is neither real or artificial; inside or outside.
Dive into previous Aesthetica Art Prize shows and get inspired by boundary-pushing photography, video, sculpture and more.
Danielle Becknell’s eclectic and diverse practice is driven by personal experiences that become the narrative. The creation of each artwork is a healing gesture – an intuitive expression of physicality shaped by perspectives of nature and unprocessed elements intended to both release and replenish.
When André Fu completed The Upper House hotel in Hong Kong 10 years ago, he quickly became an overnight sensation. A new book explores.
London-based Canadian artist Alias Trate visualises the human condition through abstraction. He works from the subconscious.
International galleries continue offer to audiences art experiences from home. New photo shows span portraiture and documentary.
Circling around ideas of visual boundaries, margins and fringes are the works of Fabien Dendiével. The photographer extends the concept of the frame.
Isaac West’s portraits are luminous. Deep reds, cobalt blues and velvet greens are paired with painted lines on playing fields and soup cans.
