Breaking New Ground
Aesthetica Magazine looks for images that change the way we see the world. Discover some of our favourite photographers from over the years.
Aesthetica Magazine looks for images that change the way we see the world. Discover some of our favourite photographers from over the years.
Brooke DiDonato’s work sits within a contemporary reading of The Uncanny in photography, making unsettling and alluring images.
MoMA dismantles the narrative of photographic history, focusing on an understudied chapter from the heart of São Paulo in the mid-20th century.
Auckland sits on an active volcanic field; ancient networks have been formed by lava. Chirag Jindal’s images examine these hidden landscapes.
The moon has been a consistent source of wonder for humanity. Alexis Pichot’s spectral images revel in a sense of stillness, with milk-white rockfaces.
“Even if I had the means, I would still shoot on iPhone.” Malick Kebe is one of Abidjan’s rising talents, with a strong understanding of colour.
Evan Sheehan’s work is at once spontaneous and choreographed – calling upon eye-popping primary colours and dynamic environments.
Barcelona-based Salva López loves architecture. His images provide a personal take on recognisable buildings, published by gestalten.
Beazley Designs of the Year’s groundbreaking projects show how architects are approaches the world’s major social and environmental issues.
Gulnara Samoilova is determined to spotlight women photographers, from IG to the gallery, and now, with a groundbreaking publication.
Parisian photographer Laura Bonnefous makes experiments – where colour can be a source of abstraction, inspiration and calm simultaneously.
A new publication foregrounds an age of innovation and experimentation, pushing the boundaries of architecture through poetic and geometric forms.
Reflected mountain ranges. Splashes of water. White clouds drifting past. Morozova’s images complement natural elements with bold, colourful fashion.
Artist and innovator Doug Aitken is at the forefront of 21st century communication, presenting a space between the physical and virtual.
How do we define the notion of home? What happens when a house is left behind? Gohar Dashti’s images reveal the true power of nature.
Portraits reveal truths about the human condition – how we present ourselves to the world. Bey explores the dialogue between sitter and subject.
Guillaume Simoneau’s works are crisp, bright and clean, presenting a diverse and compelling depiction of Canada’s topographies.
Sitting between photography and field research, Eddo Hartmann’s images depict the vulnerability of ecosystems in the age of post-industrialisation.
Inspired by the busy streets on the island of Corsica, So AsA began to build up a portfolio of silhouettes, having originally shot in black and white.