‘Will There Be Hope on Doomsday’ is a short series which challenges our conception of apocalypse and imagines utopias in a new, minimalist arena.

Young, Gifted and Black considers themes of race, class and politics, as well as the importance of human dignity.

Karen Khachaturov’s images are firmly lodged in a disjointed fairytale. Each photograph is like a hard-boiled sweet with a salty centre.

Anna Walker Skillman, Owner, Jackson Fine Art, discusses a 30-year history of showing the most distinguished female voices in photography. 

Cig Harvey’s enchanting photography reflects upon familiar themes of home, family, nature and time, uncovering cinematic moments.

‘Our Strange New Land: Photographs by Alex Harris’ is the latest chapter in High Museum’s ‘Picturing the South’ project.

Paris Photo launches an online viewing room for its inaugural New York edition. Tyler Mitchell is one of the featured photographers.

Vivian Maier’s photographs came to light after her death. Claartje van Dijk, Head of Exhibitions at Foam, discusses their planned show for 2020.

Photographer Charlie Goodge and Art Director Jessica Jung have paired up for an abstract series that parallels architecture and ceramics.

The Museum of Modern Art, New York, has the largest digital audience of any museum.
Aesthetica delves into its online programme.

Sony World Photography Awards celebrates images with a powerful visual narrative. This year’s Open Competition winners are announced.

‘Venus & Mercury’ is the latest series from Viviane Sassen. Whilst the show is closed, Huis Marseille’s Director, discusses the legacy of Sassen.

Creative duo Julia Galdo and Cody Cloud formed JUCO after meeting at the San Francisco Art Institute in 2002. Aesthetica surveys their work.

After half of Claudia Andujar’s family were killed in WWII, she dedicated five decades to raising awareness of the Yanomami people in Brazil.

Growing up on the east coast of South Africa, Travys Owen is invested in his surroundings, translating bright blue skies into the still image. 

Doan Ly’s images are reminiscent of Caravaggio’s legacy – light draping past segments of melon, orange peels and split pomegranates.

Jimmy Marble’s first camera was an iPhone 3 – it “helped me to get over my fears about photography.” Aesthetica surveys five years’ work.

Aesthetica selects five new books across photography, architecture and sculpture. Stay home and read about seminal names in visual art.

Santiago Perez explores the concept of relationships and the romantic gaze. False eyelashes point upwards from a dewy plane of skin.

As Tate’s galleries are currently shut, Aesthetica highlights five online collections to enjoy and explore from your home.