All over the world, every year, birds are on the move. Bastien Pourtout and Edouard Taufenbach’s collages capture flights of swallows.

Rohina Hoffman’s portraits – created during the pandemic – pay homage to food and family, encouraging us to pause, reflect and give thanks.

Nick Prideaux’s images distil moments of beauty from the everyday – from sun drenched scenery and seascapes to legs tangled up in sheets.

Butterflies encircle faces. Orange balloons float in mid-air. Deep blue leaves engulf bodies. Fares Micue is a self-taught conceptual photographer.

Eliza Bourner is a lens-based artist capturing cinematic self portraits of postmodern living; alienation, loneliness and unease.

Sarah Doyle’s images are bold, abstract and contemporary, with sand covered staircases, teetering matches and stacked pink discs.

Popping up between trees and amongst buildings, Nathaniel Rackowe’s geometric sculptures are characterised by dramatic shafts of light.

Karen Navarro’s unconventional portraits investigate the intersections of identity, self-representation, race, gender and belonging.

Julia Buruleva’s bright, bold and unusual images combine performance and installation – filled with a spirit of experimentation and play.

Ellen Jantzen is drawn to the natural world: oceans, rivers, lakes and mountains. Yet, her artworks do not depict nature as we know it.

In Luka Khabelashvili’s images, green grass warps like a painting by van Gogh and clouds cover faces. This is our world, but not as we know it.

Tbilisi-based George Tyebcho’s digital scenes are mysterious and evocative; there’s a sense of narrative lurking behind the polished exterior.

What does it mean to be human? Paulo Abreu’s images are rich in metaphor and surrealism, probing how it feels to exist in today’s world.

@rachaellic will continue posting images on Instagram without human intervention, as long as the computer on which she is running is online.

Brad Walls turns his lens to the world of synchronised swimming. Set against rippling pools of dappled water, athletes make geometric shapes.

Natalie Christensen’s abstracted, minimalist compositions capture abandoned shopping centres, concrete blocks and swimming pools.

In 2014, a glacier in Iceland melted. It was the first lost to climate change. Luciana Abait’s work explores immigration and environmental crisis.

Lauren Tepfer’s photographs reflect on being a teenager living in suburbia: a place of endless nights, warm summers and, often, mystery.

Themes of destiny, vision and aspiration run throughout Oye Diran’s portraits and still lifes, fusing pops of colour with detailed motifs.

Kristina Varaksina’s psychologically-charged self-portrait series might be seen as a claustrophobic, 21st century take on classical painting.