Pathetic Fallacy
Felipe OA’s images communicate feelings of isolation and loneliness in the landscape, heavily inspired by literary and cinematic aesthetics.
Felipe OA’s images communicate feelings of isolation and loneliness in the landscape, heavily inspired by literary and cinematic aesthetics.
Sean Jackson’s new series is a collection of images capturing New York during the peak of the Covid-19 pandemic, between 13 March and 10 May.
David O’Meara’s photo composites walk a fine line between forms, evoking a familiar sense of longing
whilst hovering above pedestrian crossings.
Jordan Pope’s images use colours as a way to express emotions, creating dreamy hillsides at the rise and fall of the day.
Chris Hytha grew up in a small town suburb outside of Philadelphia, fascinated by the city and its urban pull. His images build a surreal narrative.
John Baloyi has a distinct aesthetic, producing portraits through a surreal Afro-centric lens. He evokes alternative views of black expression.
Veronique Boyens’ photography series, At a Distance, embraces a new normal as the globe moved into lockdown and a period of isolation.
Using the beach towns of East Coast New Jersey as his backdrop, Dana Yurcisin explores themes of loneliness throughout empty neighbourhoods.
Mariyan Atanasov transforms Sofia’s buildings into Tetris-like constructions – removing, editing and rearranging sections of buildings in pale skylines.
Renata Dutrée’s images reference the light and symbolism of the Golden Age, exploring concealment through spilt objects or falling petals.
Malick Kebe is a photographer and curator putting Abidjan on the creative map through bold, high-contrast images filled with energy.
Steffen Tuck’s minimalist perspectives “reduce the visual noise” of urban topographies. She offers sections of landscapes, splicing colour and form.
Thirza Schaap combines sculpture and photography to examine the overwhelming presence of plastics, providing a kind of contemporary Vanitas.
In 2012, Pedro Dias created an Instagram account to share make-believe worlds, building virtual cities and constructing imaginary landscapes.
Circling around ideas of visual boundaries, margins and fringes are the works of Fabien Dendiével. The photographer extends the concept of the frame.
Isaac West’s portraits are luminous. Deep reds, cobalt blues and velvet greens are paired with painted lines on playing fields and soup cans.
Doorways, staircases, windows and curtains haunt the images of Indonesian photographer Ferdonio Damanik, offering the taste of worlds beyond.
Amelie Satzger’s retouched photographs reveal an arranged visual world filled with autobiographical motifs, mirrors, balanced fruit and cube rooms.
‘Will There Be Hope on Doomsday’ is a short series which challenges our conception of apocalypse and imagines utopias in a new, minimalist arena.