Swiss-born Cristina Rizzi Guelfi plays on a “widespread obsession” with selfies, replacing faces with 1950s and 1960s archival images.

Lydia Panas photographs women and girls amongst lush foliage. Lying surrounded by grass, leaves and branches, they stare back into the lens.

Mexico City-based artist Rodrigo Chapa draws on the legacy of colour theory, producing scenarios which explore its psychological implications.

Digital artist Andres Reisinger establishes a virtual winter haven – a place of respite and simplicity amidst the clutter of life online.

WaterAid collaborates with photographer and activist Poulomi Basu on a series exploring the impact of a lack of water on women and girls.

Electronics have become the world’s fastest-growing waste stream. What becomes of old tech? Jeanette May explores this through still life.

By perforating, cropping, cutting and tearing, Canadian artist Amy Friend offers new visions of seascapes, with spellbinding results.

Lauretta Suter’s characters interact with environments in unexpected ways – standing on chairs, hiding behind cushions or diving into boxes.

In 2020, far from her own family in England, Laura Stevens observed an extended French family learning to live together amidst the pandemic.

“The freedom lets you create anything you can imagine.” Tobi Schnorpfeil’s 3D world is a place where the sun is always setting – full of potential.

LA-based Hugh Kretschmer’s characters inhabit altered realities, where everyday objects appear off-kilter and things are slightly askew.

Anna Huix’s works are bright, energetic and full of motion. Figures twist, bend and stretch – creating unexpected shapes and silhouettes.

In July 2016, Japanese electronics company Funai Electric ceased production of videocassette recorders. Danil Tabacari is inspired by its legacy.

Montréal-based photographer Sean Mundy creates minimal, conceptual imagery in which groups of nameless figures gather – and break – formation.

Tina Sturzenegger is a self-taught photographer. Inspired by the “colourful and playful” element of food, she constructs lavish scenes.

As much as 25% of Mongolian land has turned into desert over the last 30 years. Daesung Lee draws attention to a disappearing way of life.

When we walk through city centres, how often do we look up? Katharina Klopfer is interested in the graphic details of urban environments.

In May 2020, Audrey Marquis bought her first camera. Lockdown made it difficult to photograph people – so she decided to shoot houses instead.

Brad Walls’ latest aerial series is inspired by 1940s fashion photography. It also taps into feelings of isolation from the past 18 months.

Figures stand in rivers and lakes. Headlights pierce through tree trunks. Martin Stranka’s compositions are full of suspense and mystery.