The Hyperreal Everyday
Plastic bags get caught in barbed wire, basketball hoops cast silhouettes, tree trunks glow in the darkness. These are images by Rickard Grönkvist.
Plastic bags get caught in barbed wire, basketball hoops cast silhouettes, tree trunks glow in the darkness. These are images by Rickard Grönkvist.
Iswarya Venkatakrishnan is a self-described colour enthusiast – constructing unexpected, playful and humorous compositions out of paper.
Self-taught photographer Giorgia Bellotti reinterprets René Magritte’s thought-provoking imagery for a 21st century audience.
Diane Meyer photographed the length of the former Berlin Wall. From the city centre to suburbs and forests, she obscures the prints with hand-stitching.
Telephones hovering in mid-air. Half full glasses of water. Clouds reflected in pitch-dark rooms. Zane Priede is a self-taught photographer based in Riga.
Samantha Cavet focuses on “portraying the human abyss, loneliness and melancholic feelings,” often depicting lone figures within expansive landscapes.
Adriana Mora constructs 3D buildings within idyllic waterscapes. The visual language of Brutalism is counterpointed with memories of childhood.
“My favourite moments are those which create coincidences and contradictions in the city,” says Berlin-based urban photographer Andrea Lohmann.
Los Angeles-based photographer Djeneba Aduayom’s mixed-media portraits see abstract forms cut and paste into new, eye-catching configurations.
Faces obscured by flowers. Rooms adorned with floral wallpaper and patterned rugs. Diana Sousa creates contemplative and symbolic portraits.
Swiss-born Cristina Rizzi Guelfi plays on a “widespread obsession” with selfies, replacing faces with 1950s and 1960s archival images.
Lydia Panas photographs women and girls amongst lush foliage. Lying surrounded by grass, leaves and branches, they stare back into the lens.
Mexico City-based artist Rodrigo Chapa draws on the legacy of colour theory, producing scenarios which explore its psychological implications.
Digital artist Andres Reisinger establishes a virtual winter haven – a place of respite and simplicity amidst the clutter of life online.
WaterAid collaborates with photographer and activist Poulomi Basu on a series exploring the impact of a lack of water on women and girls.
Electronics have become the world’s fastest-growing waste stream. What becomes of old tech? Jeanette May explores this through still life.
By perforating, cropping, cutting and tearing, Canadian artist Amy Friend offers new visions of seascapes, with spellbinding results.
Lauretta Suter’s characters interact with environments in unexpected ways – standing on chairs, hiding behind cushions or diving into boxes.
In 2020, far from her own family in England, Laura Stevens observed an extended French family learning to live together amidst the pandemic.