Oceans of Possibility
By perforating, cropping, cutting and tearing, Canadian artist Amy Friend offers new visions of seascapes, with spellbinding results.
By perforating, cropping, cutting and tearing, Canadian artist Amy Friend offers new visions of seascapes, with spellbinding results.
Jessica Mitchell’s photobook is a part-fictional, part-biographical account of a woman coming to terms with her sexuality and sense of self.
In 1969, a groundbreaking photographic initiative was conceived in the US. Its goal: to assess the state of the nation. What does it look like today?
From children to newlyweds, families to those living alone, photographer Julia Fullerton-Batten takes the temperature of a nation adapting to crisis.
The United Nations cite climate change as the defining crisis of our time. This year, designers and galleries are coming together to find ways to help.
The word “photosynthesis” translates as “a putting together of light.” Roosmarijn Pallandt’s COP26 sound sculpture delves into this phenomenon.
What happens when art and fashion collide? Arthena Maxx Lukmann’s creations rewrite the narrative of unwanted fast fashion garments.
The Light and Space movement continues to offer absorbing and mind-expanding spectacles 50 years after its emergence from California.
British Art Show 9 is travelling across the UK, exploring themes of healing and reparative history through new works by contemporary artists.
2022 is set to be filled with exciting and thought-provoking exhibitions. This is our snapshot of what to look out for over the next six months.
Thomas Witzke is a German painter, photographer and digital artist. He focuses on the narrative aspect of colour; this is perhaps best expressed in the L’art pour L’art series, in which the viewer is invited to explore rooms in museums and artists’ studios.
A new exhibition seeks to display Mary Ellen Mark’s significant contribution to the history of American documentary photography.
Here are six artists from the Aesthetica archives who draw on art history: destroying, reinventing and updating the records for 21st century audiences.
Tate Britain’s current exhibition spans Caribbean-British Art from the 1950s to today. It is the first display of its kind in a major national museum.
London Art Fair responds to themes of ecology, migration and political nationalism through the work of 14 contemporary British photographers.
The ethics of representation have never been more important, or more closely scrutinised. Whose stories can we tell, how and why?
Japanese video artist Shigeko Kubota once commented that: “in video’s reality, infinite variation becomes possible.” MoMA showcases her oeuvre.
Lauretta Suter’s characters interact with environments in unexpected ways – standing on chairs, hiding behind cushions or diving into boxes.
Art in the Plague Year is a testament to photography as a record, and also as an act of recovery. The online show presents 55 artists.
