Lunch Break is an unsentimental, yet deeply humane, portrait that examines the changing roles of workers, depicting the drastic shift in the social, political and economic landscape of the 21st century.

Were you to walk down a street today and look through the windows of the houses, you would witness a wide variety of living spaces: homeowners today are preoccupied with design and the arrangement of the world around them.

This year’s Taylor Wessing includes thought-provoking and captivating works. Jooney Woodward won this prize for her portrait, Harriet and Gentleman Jack.

The UK film climate has changed dramatically over the past 12 months; why on earth would anyone start a new short film festival? ASFF Director, Cherie Federico, tells us in her own words.

Winner of several awards, Director Pablo Giorgelli discusses his latest film and how subtle direction creates powerful beauty.

When Véronique Chambon, a quietly beautiful schoolteacher meets Jean, a traditional family man, the pair embark upon a love affair that is just as demure as Véronique’s wardrobe choices.

Filmmaker Mark Cousins travels to Iraq with three small video cameras. His intention is to allow the children to re-imagine their country.

In July 1942, thousands of French Jews living in Paris were taken away – first to the cramped, nearby Velodrome, then to the concentration camps.

For a second feature, Kill List is a remarkable accomplishment of the kind that usually comes much later in a director’s oeuvre.

Set against the backdrop of Finsbury Park, Sallie Aprahamian’s feature debut tackles hardship, obligation and moral choices.

Based on Joe Gores’ novel of the same name, Wim Wenders’ film is the fictional imagining of how mystery writer Dashiell Hammett began his career.

Camilo Echeverri’s series SuperWomen employs a deliberate reworking of visual vocabulary, subverting notions of nostalgia, happiness and myth.

Each issue of Aesthetica features works by rising stars in photography from around the world. The following images are a highlight of this year’s works.

Christoph Benjamin Schulz, guest curator at Tate Liverpool, has a particular interest in and extensive knowledge of how Lewis Carroll has influenced the visual arts.

Musical comedy is a hard genre to crack, and even the brightest stars are often sidelined. Here’s how a so-called niche genre is getting its groove back.

Vitamin P2 is a compendium for new international painting, acting as a guide to the styles, themes and subjects in today’s most recognisable works.

Artists who sit outside the traditional cultural framework of the art world often go unnoted; the concept of outsider art still provokes uncertainty, questioning the legitimacy of art and artistic behaviour.

Wild Flag’s credentials are undeniable. The band has just released their first album to critical acclaim. We caught up with Janet Weiss to talk about the band.

This text demonstrates how Elmgreen & Dragset’s sculptures and installations reconfigure the familiar with characteristic wit and subversive humour.

Eckersley’s vision of nocturnal London dissembles the conventional imagery of built environments where abandoned estates and neon-lit corner shops reign.