Two archetypal couples – the middle-class Longstreets, and nouveau riche Cowans – battle it out over a playground confrontation between their sons.

Polly Morgan’s intention has never been to mimic the natural habitat of animals as they are traditionally displayed, but to place them in less expected scenery.

Mel Karch’s images are more than just editorial; they tell stories with underlying narratives rooted in the cinematic landscapes of her shoots.

Edgar Martins’ controversial 2008 project This Is Not A House continues to engross and provoke today, uncovering the realities of where the recession began.

Skyscraper is a re-appraisal of the modernist structure and features over 50 artists whose work responds to ITS variety and complexity.

Marina Abramović’s 2010 blockbuster show at Moma caused a sensation in New York. Now a new documentary, directed by Matthew Akers, charts the career of the renowned performance artist.

Moving from Henri Cartier-Bresson to the pioneering photojournalist Eve Arnold to lesser known but historically significant figures, Another London examines the city’s landscape as a dynamic metropolis.

The emphasis of the 4th edition of the Summer of Photography, an international biennale that focuses on photography and related media, is on landscape.

Gabby Young and Other Animals is a flamboyant eight-piece British pop band, bringing together ragtime, jazz and Balkan influences.

A Matter of Life and Death and Singing is the latest exhibition to open at M HKA in Antwerp. With over 100 artworks, it is the first comprehensive retrospective of Jimmie Durham’s work to date.

CAM Houston hosts It is what it is. Or is it?, a show that considers how artists are using and making readymades. As the art form nears its 100th anniversary, the show surveys how it has changed.

Carancho examines the seedy underworld that follows road accidents in Argentina. We chat with Martina Gusman, producer of, and actress in, 2012’s must-see film.

To hear a 3D recording for the first time is an eerie moment. The sensation of something making a noise from behind your left ear, or over to the right, or in the distance at your two o’clock position, is at first unnerving, and then amazing.

Thanks to a programming policy that favours unpublished works, Rencontres d’Arles has been a leader in disseminating some of the world’s best photography.

Tassos Stevens, co-director of London-based theatre organisation Coney, discusses their latest project, House of Cards, and the transformative nature of theatre for today’s audience.

Artists are more known, recognisable and part of the fabric of daily life than ever before. Art is no longer niche; it’s here, right in front of our faces.

The history of film is broad, diverse and complicated, so any text that manages to distil 120 years of the moving image into a stimulating read deserves celebrating.

Published to highlight the dynamism and complexity of the contemporary art scene in Korea, this text offers an introduction to the work of 30 of the country’s most talented artists and their works.

FUSE 1-20 is a fantastic demonstration not just of the execution, but also of the anatomy of type. The main text comprises editions 1-18, two new issues, 10 A2 posters and 24 downloadable fonts.

Informative and thought-provoking, this book encourages readers to become more aware of the impact the garment industry has on wider sustainability.