Redefining the Medium
The annual survey of contemporary photography at New York’s Museum of Modern Art reveals an art form in the throes of profound transformations.
The annual survey of contemporary photography at New York’s Museum of Modern Art reveals an art form in the throes of profound transformations.
The rebirth of Gary Numan over the past decade is testament to his significant influence on electronic music. Numan has returned to doing what he does best.
Eons of ritual and inflexibility are played in this unsettling tale, in which youth vies with age to outmanoeuvre the demands of societal mores.
Jeremy Leslie takes the magazine and questions how it is defined and how it has evolved over the past 10 years.
Burning House effortlessly binds together a collection of songs a lot weirder than you could imagine from its composite parts.
Paul Gravett’s painstakingly researched volume offers an eloquent polemic on the art of comics, populated with a wide and diverse selection of the art it examines.
Combining the genre of romantic comedy with 1950s France and colourful cinematography, Régis Roinsard’s Populaire is a heartwarming masterpiece.
Breathe In is a breathtaking thriller which seeks to articulate the unheimlich undercurrent swirling beneath the false smiles of America’s nuclear family.
Punchdrunk’s new production, The Drowned Man: A Hollywood Fable, invites audience members to immerse themselves in a world created exclusively for them.
Tony Ray-Jones and Martin Parr are not only well known for being outstanding British photographers, but for capturing the English landscape with familiarity.
A major three part retrospective of artist James Turrell displays his pioneering explorations of light, space and time.
Oscar winning director Fernando Trueba’s latest film, examines the relationship between the artist and the model, against the backdrop of World War II.
Fresh perspectives on listening are offered at South London Gallery in a show utilising sound sculpture and performance to explore the moment of hearing.
Referring to his role as an artist as one that is “to create a situation in which the viewer is at the centre”, Eliasson’s main preoccupation is the audience.
Gail Albert Halaban traced the steps of legendary artist Edward Hopper, travelling to Massachusetts to record the houses he painted 100 years before.
Weegee’s unique documentary portraits of New York crime scenes coincided with the end of the Depression, the repeal of Prohibition, and a governmental crackdown on organised crime.
Combining colour, everyday objects and portraiture, Blackmon’s works are endlessly fascinating, and every return glance reveals a new angle or shape.
Described by Life photographer David E. Scherman as a “renaissance woman”, Lee Miller balanced a career as a model and an incredibly talented photographer.
