NGV Melbourne have commissioned a dynamic reinvention of the suburban car wash built in the Grollo Equiset Garden this spring.

A major solo exhibition at the National Gallery of Victoria, Melbourne, showcases the work of Bill Henson, whose practice is characterised by powerful images.

Previously exhibited in New York and due to show in Dusseldorf mid next year, Marcel Broodthaers: A Retrospective is travelling across cultural art capitals.

To celebrate the developing world of digitalisation, Kunsthal Rotterdam represent an impressive range of over 30 pieces from the Brown Family Collection.

To kick-start Camden Art Centre’s 2017 programme, Joachim Koester takes over three gallery spaces with an immersive installation of film, digital video, photography and audio, spanning a 12 year career.

The Prix Marcel Duchamp brings together the most innovative contemporary artists in France and to encourage new artistic forms at the Centre Pompidou, Paris.

Moich Abrahams discusses the dialogues between contemporary practice and the digital age, including spontaneity and the longevity of painting.

William Eggleston Portraits at the National Gallery of Victoria, Melbourne, surveys the career of the ground-breaking American artist who is regarded as a pioneer of colour photography.

Francis Alÿs is included in The Ruya Foundation’s National Pavilion of Iraq at the 57th Venice Biennale in May 2017, encompassing the notion of conflict.

The most extensive UK show to date from Tony Cragg is at Yorkshire Sculpture Park, Wakefield, this March. A Rare Category of Objects consists of pieces from up to five decades of the artist’s career.

Throughout January 2017 Pipilotti Rist’s Open My Glade (Flatten) 2000-2017 is mounted across 60 synchronised electronic billboards in Times Square.

Fondazione Prada finally opens Osservatorio, a reconverted space dedicated to photography and visual languages.

The DOX Centre for Contemporary Art, Prague, has recently revealed a unique architectural intervention perched atop the organisation’s campus.

2017 sees the 35th edition of Art Brussels, one of Europe’s most significant fairs. Since its inception, the festival has evolved into an influential event.

Hitoshi Tsuboyama tests a neutral approach to space, bringing together a Western three-dimensional style with an oriental planar style of painting.

Universidad de Ingeniería y Tecnología (UTEC) by Grafton Architects has been announced as the first winners of the RIBA Prize for the world’s best building.

British painter Laurence Wood is currently living and working in Hong Kong. Aesthetica discuss with him the notion of influence and cultural awareness.

Who’s Afraid of Colour? at the National Gallery of Victoria, Melbourne, brings together over 200 creations from 118 indigenous Australian women.

In Zaha Hadid’s early paintings and drawings, at Serpentine Galleries, London, viewers see her looking beyond the utopianist forbears.

The Faena Forum was revealed during Art Basel Miami Beach at the start of December, heralded as a pivotal landmark in the new cultural district.

Making Africa is a collaboration of over 120 artists who aim to provide a new insight into contemporary African design, celebrating its impact upon the art world.

In discussion with Aesthetica, George Samual Bothamley highlights the place for traditional art within the contemporary industry.

Please Return Polaroid shares a rare insight into the technical processes of shoots: from storyboarding and initial ideas to the finished composition.

Anne Hoerter discusses the development of a practice based upon the intersection between still life painting and technology.

Celebrated in a major exhibition at Marian Goodman Gallery, Paris, the first in over two decades, Matta-Clark is showcased as a 1970s avant-garde legend.

The Donata Pizzi Collection is now revealing one of the widest representation of Italian women photographers ever exhibited in the last 20 years.

Undressed: A Brief History of Underwear tells the story of garment design, considering the practical, personal and sensory roles it plays in protecting and enhancing the body.

Stephanie Pfriender Stylander discusses the tensions between Eastern and Western culture and fragments of personal histories in her compositions.

Marking Magnum Photos’ 70th anniversary nearly 20 photographers come together to depict the refugee crisis since the second world war.

FIELD WORK from Tiwani Contemporary brings together eight contemporary artists whose creative practice has foundations in the analysis of the mechanics of history.

Cherish Marshall’s manipulated canvasses explore vulnerability, both in how it effects the sufferer and observer. The artist discusses human performance in society.

In 2016 Leeds College of Art celebrated 170 years of delivering art education. A final alumni exhibition brings the anniversary commemoration to a close.

The inaugural edition of Photofairs San Francisco launches this January, expanding upon the photography showcased in the Shanghai fair.

American Painting in the 1930s: The Age of Anxiety, at the Musée de l’Orangerie, Paris, feels topical in a year characterised – for many people – by uncertainty.

In conversation with Aesthetica, Dénesh Ghyczy discusses the nature of realism set against a digital world and embedded perspectives within compositions.

The Aesthetica Creative Writing Anthology returns with a selection of extraordinary short fiction and poetry to spark the literary imagination.

In conversation with Aesthetica, Austria-born Clemens Ascher discusses his newest series, The Red Drink, which uses symbolism to critique advertising.

In conversation with Aesthetica, the college discusses this year’s visions for their postgraduate shows, engaging with global topics and debates.

Helen Marten has been awarded the 2016 Turner Prize, as announced at Tate Britain earlier this week, one of the best-known projects for the visual arts in the world.

Art Stage Singapore returns for a seventh time in January, kick-starting the season and bringing together work from 108 exhibitors and 26 countries.

Fondation, previously exhibited at the Louvre and as part of a group show at Baalbek archaeological site in Lebanon, is close to a Duchampian ready-made.

PHOTOFAIRS, The World Photography Organisation’s international art fair, comes to San Francisco for its first US edition, dedicated to presenting fine art photography.

The Griffin Art Prize is designed “to have a meaningful impact” on the career of one recent art school graduate, boosting the ambitions of an emerging painter.

Calvert 22 Foundation, London, announce Michał Siarek as the winner of the New East Photo Prize, an inaugural award for perspectives of countries of the New East.

Art Kaohsiung launches its fourth edition. Attracting innovative practitioners, it converges the boundaries of South-eastern and North-eastern Asian art.

Alex Hartley questions the conventional qualities of the present and the expectations that construct contemporary life at Victoria Miro gallery, London.

Délio Jasse’s previously unseen body of work comes together in a solo exhibition, The Lost Chapter: Nampula, 1963 at London’s Tiwani Contemporary.

A new exhibition of renowned architect Zaha Hadid (1950-2016) showcases not only a practice as a structural designer, but also reveals her work created as an artist.

Jonathan Anderson considers ways in which the human form has been reconceived by artists and designers from at the Hepworth Wakefield, this Autumn.

Taking domestic settings as a focus, Gregory Crewdson is a master of conceptual narratives played out within the environs of the everyday.