Julia Buruleva’s bright, bold and unusual images combine performance and installation – filled with a spirit of experimentation and play.

Ellen Jantzen is drawn to the natural world: oceans, rivers, lakes and mountains. Yet, her artworks do not depict nature as we know it.

In Luka Khabelashvili’s images, green grass warps like a painting by van Gogh and clouds cover faces. This is our world, but not as we know it.

Tbilisi-based George Tyebcho’s digital scenes are mysterious and evocative; there’s a sense of narrative lurking behind the polished exterior.

What does it mean to be human? Paulo Abreu’s images are rich in metaphor and surrealism, probing how it feels to exist in today’s world.

@rachaellic will continue posting images on Instagram without human intervention, as long as the computer on which she is running is online.

Brad Walls turns his lens to the world of synchronised swimming. Set against rippling pools of dappled water, athletes make geometric shapes.

Natalie Christensen’s abstracted, minimalist compositions capture abandoned shopping centres, concrete blocks and swimming pools.

In 2014, a glacier in Iceland melted. It was the first lost to climate change. Luciana Abait’s work explores immigration and environmental crisis.

Lauren Tepfer’s photographs reflect on being a teenager living in suburbia: a place of endless nights, warm summers and, often, mystery.

Themes of destiny, vision and aspiration run throughout Oye Diran’s portraits and still lifes, fusing pops of colour with detailed motifs.

Kristina Varaksina’s psychologically-charged self-portrait series might be seen as a claustrophobic, 21st century take on classical painting.

Judith Sayrach finds inspiration when out alone in nature, creating hazy images of solitary spaces: seascapes, lone trees, sunsets and open skies.

Rippling tennis courts. Bright red rooms. Portals into open, cloud-filled skies. Artist and designer Akama Paul pushes the boundaries of reality.

Maria Lax’s otherworldly images of Northern Finland are full of intrigue, pulling viewers in to a world of myth, rumour and speculation.

“My motivation is rooted in the westernisation of my home country in the 1990s.” Photographer Dino Kužnik captures pastel-toned American landscapes.

Viktoria Sorochinki’s series of self-portraits, INsideOUTside, were shot entirely during the COVID-19 lockdown.

In Olivia Lavergne’s ‘Jungles’, the viewer is immersed in a tropical forest filled with a fascinating luxuriance beckoning to be explored.

Hannah Whitaker’s images demonstrate a keen eye for colour and form – dramatic, artful compositions move from high-end accessories to stationery.

Justin Dingwall’s ‘A Seat at the Table’ series is centred around perception and individuality whilst reinterpreting everyday objects in new ways.