Julia Nimke’s evocative photographs ooze “wanderlust” – a word which describes the feeling of longing to travel, adventure and discover.

Karl Roberts sees the landscape as a blank canvas – an environment in which he can “create the magic he doesn’t see in the world around him.”

Pavlo Fyshar’s work is characterised by a sense of discomfort. Playful pastel pinks and greens draw the viewer in, yet the world they find is off-kilter.

“A strange fluorescence occurs when certain minerals and materials are subjected to ultraviolet radiation.” Cody Cobb captures this phenomenon.

German photographer Jan Prengel looks beyond still life – instead capturing flowers and plant stems in motion, over an exposure time of 2-3 seconds.

Studio Brasch’s new images, crafted using the latest AI tools, combine fundamentals of Japanese Ikebana with abstract sculpture and new technologies.

The history of aerial image-making can be traced to the mid-19th century. Michal Zahornacky reduces man-made structures to lines, curves and colours.

Teresa Freitas is a Portuguese photographer whose soft yet vibrant images experiment with the psychology of pastels, evoking calm, peace and ease.

Yuni Yoshida is interested in the appearance of fruits, vegetables and flowers. “No one is the same as any other… patterns and shapes give us fresh surprises.”

The mirror is a symbol rooted in the history of art and culture. Émilie Möri, a French-Swiss photographer, works in this tradition.

Dasha Pears is Helsinki-based artist using the instruments of surrealism, minimalism and colour to tell surprising visual stories with a twist.

Joanne Coates and Heather Agyepong – winners of the Jerwood/Photowords Award – reflect on regional identities and the authentic self.

Sebastiaan Knot’s illusory geometries are created without any digital manipulation. Crisply folded sheets of card pop out from orange and purple walls.

Dusky pink clouds. Olive green skies. Cracked white walls and peeling paint. These are surreal dreamscapes by photographer Alizé Jireh.

Paula Mahoney’s works are at once performative and surreal, drawing attention to the sense of loss and mourning that can be evoked by clothing.

Ash Camas’ vivid images – taken in Canada, France, Sweden and beyond – encourage us to look at cities anew: cropping, repositioning and flattening them.

Margriet Smulders’ contemporary vanitas depict petals, berries and leaves floating on water – causing ripples and washes of colour to bleed and blend.

To look at infrared photography is to look at the invisible world. The human eye can see wavelengths from 400nm – 720nm. Infrared sits beyond 720nm.

Trung Bao compares the image-making process to that of music, with the ultimate goal of evoking feelings that are often hard to put into words.

Scraps of paper, plants, canvases, salvaged objects. Photographic artist Anaïs Boileau is deeply intrigued by materials and the Mediterranean climate.