A new publication provides a diverse overview of well-known designers and the innovative solutions produced for domestic and urban life.

Ben Zank revels in the unconscious condition; using the stark semantics of straight lines, his characters nestle within the clutches of desolate landscapes.

Japanese collective teamLab execute a project where non-material digital art can turn into nature without harming its surroundings.

Brooklyn Museum examines the cultural and aesthetic priorities of black women during the emergence of second-wave feminism in America.

The V&A’s, London, Exhibition Road Quarter is now open, providing a courtyard as well as a gallery intended to house temporary exhibitions.

Australian born Jules Wright nurtured original female talent through the Women’s Playhouse Trust and founded the Wapping Project in 1981.

Design Frontiers offers the work of 30 leading international designers renowned for shaping and leading their respective disciplines.

The third annual LensCulture Street Photography Awards invites artists to delve back into the world of the quotidian through the lens of the metropolis.

If art represents the transitions within culture, what are we learning about systematically labelling bodies?

Jenny Holzer’s projections take over Blenheim Palace, Oxfordshire. Working with veterans of recent conflicts, the work fills the interiors.

Aesthetica Art Prize shortlisted artist Alinka Echeverría has been selected for the 2017 Foam Talent Call, an internationally renowned platform.

Jennifer Alexander, Curator of Art at York Art Gallery, sheds light on exhibition practices and curating for the 21st century audience.

The Vitra Design Museum presents an alternative to an increasingly urbanised society where affordable housing seems like an unattainable idea.

“Love happens here” is a phrase found across London this month. The Photographers’ Gallery who show their solidarity with an offsite exhibition.

22-23 July. Offering a global perspective on digital and societal changes, these exhibitions document the pivotal transitions of an era.

The 1980s were a turbulent time in Britain; this decade is the focus of The Place is Here, an exhibition set between the South London Gallery and MIMA.

Kurt Tong’s (b. 1977) current exhibition The Queen, The Chairman and I, reflects upon the self as an amalgamation of disparate parts.

Gleaming Lights of the Souls by Yayoi Kusama remains a beautiful part of the Louisiana Museum of Modern Art.

American photographer Emma Elizabeth Tillman (b. 1986) evokes everyday nuances in her debut series Disco Ball Soul (2017).

White Cube’s latest exhibition reveals how there is a vast and raging female presence amongst those associated with the surrealist movement.