Cinematic Intensity
Carancho examines the seedy underworld that follows road accidents in Argentina. We chat with Martina Gusman, producer of, and actress in, 2012’s must-see film.
Carancho examines the seedy underworld that follows road accidents in Argentina. We chat with Martina Gusman, producer of, and actress in, 2012’s must-see film.
To hear a 3D recording for the first time is an eerie moment. The sensation of something making a noise from behind your left ear, or over to the right, or in the distance at your two o’clock position, is at first unnerving, and then amazing.
Thanks to a programming policy that favours unpublished works, Rencontres d’Arles has been a leader in disseminating some of the world’s best photography.
Tassos Stevens, co-director of London-based theatre organisation Coney, discusses their latest project, House of Cards, and the transformative nature of theatre for today’s audience.
On the edge of the South East coast, a small seaside town is welcoming back its most famous daughter, Tracey Emin. Banners from her last visit still adorn Margate: “Welcome Home Tracey!”
Glyndebourne Opera Festival, held in the grounds of the Sussex country house that gives it its name, is steeped in tradition. It was founded by Sir John Christie and his wife, Audrey Mildmay.
As part of the Wakefield Artwalk, Hepworth Wakefield has teamed up with Wichita Recordings to present an evening of free live music featuring indie folk band’s Peggy Sue alongside DJ Nick Scott.
Since its first edition 15 years ago, Manifesta has been concerned with the idea of breaking down barriers, crossing borders and building bridges.
The third edition of the International Festival of Typography and Poster Design is focused on the relationship between Polish and Belarusian design.
UP Projects and The Architecture Foundation announced an Open Call to design a Floating Cinema. Artist duo Somewhere will be devising a varied and vibrant programme of on-board events.
The Liverpool Biennial, now in its seventh incarnation, is billed as the largest contemporary art festival in the UK. This year’s programme was announced today by Biennial director, Sally Tallant
For the past seven years the Northern Irish based artist, Brendan Jamison has amassed a significant body of work. Jamison appropriates diverse media including wax, wool, sugar cubes and pins.
Noé Soulier’s credentials are impressive and he seems to have a knack for doing two things time. Soulier won first prize at the Danse Élargie with Little Perceptions whilst studying for his BA in Philosophy.
The Search for Immortality: Tomb Treasures of Han China features 250 treasures in jade, gold, silver, bronze and ceramics and is a key show of ancient royal treasures ever to travel outside China.
Much of Lara Favaretto’s work alludes to the casualties of modern life, often referring to the body and the natural environment through mechanical and industrial forms that change and degrade.
Film4 is challenging aspiring filmmakers to recreate iconic moments from its 30 year film history for Scene Stealers, a new creative talent search launched under its innovation banner Film4.0.
In celebration of their first anniversary, Hoxton Art Gallery are showing The Pleasure Principle. We speak to Director Matthew Nickerson about what makes the gallery stand out from the rest.
Congratulations to Julia Vogl who has been selected as this year’s winner of the Catlin Art Prize. Let’s Hang Out invites visitors to create a communal area by selecting coloured carpet titles.
German artist Gloria Zein was awarded the Cass Prize for Sculpture in 2011. I Can’t Stop the Dancing Chicken has been commissioned by the Goethe-Institut London to mark its reopening.