Kinetic Experience
In the beginning, there was a pulse. This is at the heart of a series of large-scale installations by Rafael Lozano-Hemmer built around vital signs.
In the beginning, there was a pulse. This is at the heart of a series of large-scale installations by Rafael Lozano-Hemmer built around vital signs.
In 2018, there are over 4 billion internet users worldwide. Revealing the hidden network behind this is Artangel winner Evan Roth’s Red Lines.
Xiaowei Chen works in the USA and China. We discuss her solo exhibition Endless Pointsat AroundSpace Gallery in Shanghai until 30 December.
Examining systems of control, Rafal Milach’s Refusal presents a study of architecture, objects and social structures in the Soviet Union.
Demonstrating a rich sense of heritage whilst looking to the future of design, this selection blends bold aesthetics with functionality.
Through striking images, From Ansel Adams to Infinity celebrates the sublimity of US landscapes whilst paying tribute to an iconic photographer.
Higher Ground by Carl De Keyzer imagines a reality in which communities are forced to relocate to the mountains due to rising sea levels.
Ward Roberts draws upon the effects of loneliness and isolation in today’s world. His Flotsam series builds upon repetition, acclimatisation and reverie.
Split Second, a new exhibition of works by Anthony McCall, occupies the boundaries between drawing, cinema and sculpture.
David Hartt’s In The Forest investigates the legacy of modernist architecture and its utopian ideals through the lens of Habitat Puerto Rico.
Judy Chicago’s highly immersive, visually mesmerising works continue to make a resonant statement about the experiences of women.
The Castle, a new body of work by Richard Mosse, reveals the ongoing refugee and migration crisis in the Middle East, North Africa and Europe.
Candida Höfer: Paris Revisited offers views inside grand theatres, libraries and churches, providing new perspectives on popular locations.
The result of 11 years spent travelling along the iconic 2,600 mile Route 66, photographs by Edward Keating investigate the American Dream.
Ghosts Don’t Walk in Straight Lines – a project by Saskia de Brauw and Vincent van de Wijngaard – takes a reflective trip across Manhattan.
From Las Vegas to the Caspian Sea, these exhibitions move past categorisation to respond to urban, natural and constructed spaces.
Taking a conceptual and abstracted approach that pushes beyond narrative, Axel Hütte captures ethereal images of natural environments.
An exhibition of works by Tony Vaccaro demonstrates an extraordinary diversity, highlighting images from throughout his career.
Chronicling New York’s street life during the mid-20th century, Helen Levitt’s body of work offers an honest and dynamic portrait of life.
