Prince Gyasi incorporates vibrant palettes into intimate portraits of figures from his hometown, documenting the spectrum of human emotion.

Sebastiaan Knot’s geometric compositions are calculated manipulations of light. Shapes in bold colours are crafted through analogue techniques.

Swimming pool geometry translates into desolate landscapes reflecting human vulnerabilities in the work of acclaimed photographer Mária Švarbová.

Darkness is a constant presence in Liam Wong’s neon-noir photographs, which expose the quiet solitude of global nightlife and question reality.

Tyler Mitchell has pushed the boundary of fashion photography. His visions of Black utopia provide everyday moments of beauty and contemplation.

Henri Prestes investigates the calm yet ominous presence of the twilight hours in remote locations, producing cinematic and considered landscapes.

Suppen is a series of limitless creativity. Miguel Vallinas Prieto’s surreal compositions transform ordinary table settings into something magical.

Alexis Pichot’s ethereal archipelagos provide a moment of reflection amidst the constant influx of digital news, images and information.

Duo Elsa Parra and Johanna Benaïnous blur the distinctions between the photographer and subject in reconstructions of family memories.

Priscilla Ong uses assemblage in bold, colourful and often humorous displays of inanimate items, crafting new narratives from mundane materials.

David Uzochukwu’s speculative portraits reflect human identities. He is one of 75 artists invited to examine complex Afrodiasporic experiences.

Mónica Alcázar-Duarte exposes the derogatory stereotypes Mexican women are subjected to in real-world and online spaces in Second Nature.

Mónica de Miranda explores the island as a visual metaphor for the wider Afrodiasporic experience alongside Europe’s complex colonialist histories.

Jason Bruges Studio is a pioneer in the field of interactivity, paving the way for a new genre of art and design. In this interview, he discusses collaborations with Tate, the Olympics and V&A.

Omar Torres’ images symbolise an attempt to reach equilibrium. Everyday objects are arranged in balancing acts, held on the brink of collapse.

Forensic Architecture comprises artists, lawyers, journalists, filmmakers and coders, harnessing design to uncover global human rights violations.

Andoni Beristain’s bold still lifes inject a sense of narrative into the everyday, finding moments of comedy, satire and beauty within familiar items.

Nhu Xuan Hua’s images move beyond fashion editorials, transforming the body into something less individualistic – and much more sculptural.

Anna Devís and Daniel Rueda’s images redefine the conventions of structural photography whilst tapping into the pillars of architectural tourism.

Neal Grundy’s Transient Sculptures series focuses on the concept of impermanence, depicting the beauty of fabric forms billowing in “mid-flight.”