Fiona Bradley
Since 2003, Fiona Bradley has been the Director of Edinburgh’s Fruitmarket Gallery. She emphasises the importance of new work in the context of a consistent and developing artistic practice.
Since 2003, Fiona Bradley has been the Director of Edinburgh’s Fruitmarket Gallery. She emphasises the importance of new work in the context of a consistent and developing artistic practice.
Humanising forbidden love, with breathtaking cinematography, Beautiful Kate explores the effects of place, isolation and burgeoning sexualities.
Jonathan Wateridge’s latest show opens at All Visual Artists. It depicts scenes from an imaginary film creating interplay between narratives of fact and fiction.
Challenging the traditional notions of craft through design intervention, the new wave of DIY raises the bar for contemporary making.
Exposed is a compelling survey of 250 works that tackles subjects both iconic and taboo, questioning the ambiguity of surveillance and voyeurism.
In both work and pleasure, there is a sentiment that audiences are looking for more. Today’s entertainment is about the immersive, interactive experience.
In Advice for Strays, Kilkerr challenges our perceptions of reality and presents a case study on coping with mental illness.
Napier’s second novel is a terrifying thriller about the consequences of digging up mysterious secrets from the past.
Mengiste’s debut novel, Beneath the Lion’s Gaze is a fraught and tender portrayal of a land ravaged by revolution.
A dystopian novel set in the near future, Sunshine State explores the effect of our actions, including the war in Iraq and environmental issues.
Ai Weiwei is one of China’s most controversial contemporary artists. His activism and art has even led him to suffer at the hands of China’s secret police.
Whiteread is well known for her sculpture and for being the first woman to win the Turner Prize, in 1993. She has said: “My drawings are a diary of my work.”
Marien traces the steps from daguerreotype to digital with zeal looking at portraiture, documentary, war, mass market, advertising and art photography.
The sound is rich in nostalgia, wrapped up tight with representational lyrics. It seems The Daredevil Christopher Wright are writing songs about all our experiences.
Here’s to Taking it Easy is filled with laidback folk melodies that move from the ebullient to the soulful, both joyful and emotive.
Together, Bunny and the Bull and the Original Soundtrack make complete sense. The film, from the director of The Mighty Boosh, is a road movie set entirely in a flat.
jj produce clear-cut songs that have a definitive vision resulting in a sense of calm and clarity. Because of their unique sound, it’s hard to draw comparisons.
Lyndon Morgan has several strings to his bow including being an award-winning poet, which shows in the lyrics, exploring love, loss, life and the poignancy of time.
Dan Snaith is Caribou, and his aim to create “dance music that sounds like it’s made out of water rather than metallic stuff” has been realised in Swim.