Profiling the announcement of the annual awards through a celebration of structural excellence that pushes beyond aesthetics and functionality.

Shot largely on the same set of beaches in Portugal over two years, The Accidental Theorist depicts a series of instances that are devoid of explanation.

Circulation(s) returns for 2018, showcasing the imaginations of emerging photographers that touch upon wider social and political issues.

Spiral Scratch, a site-specific public art installation creates a kaleidoscopic arena of colour, line and form.

Addressing issues of exposure, Whitechapel Gallery in partnership with Collezione Maramotti present the annual Max Mara Art Prize for Women.

Bridging the boundaries between art, culture and philosophy, HowTheLightGetsIn Festival makes sense of the world through a diverse progamme.

Michael Pinksy’s innovative Pollution Pods recreate the air in London, Beijing, São Paulo, New Delhi and Tautra, Norway.

Talisman in the Age of Difference at Stephen Friedman Gallery brings together works by artists of African origin and its diaspora.

Foam Talent: New York unites 20 international image-makers, plotting the next chapter for the creation, interaction and circulation of photography.

Working primarily in staged self-portraiture, Maher is widely known for obscuring the faces of her subjects, using symbol and colour to convey emotion and narrative.

Darn Thorn’s series, Aggiornamento, offers an idealised, modernist vision of Ireland through the architectural structures of the 1960s.

Doug Aitken’s first video installation in 10 years, New Era, tracks the reflections of Martin Cooper, inventor of the mobile phone.

Daniel Webb collected all the plastic used in a year – around 4500 pieces, of which 93% wass single-use packaging.

Highlighting functionality over complex shapes and unnecessary materials, Embodiment, published by Phaidon examines the portfolio of Naoto Fukasawa.

Antony Gormley is known for an interest in the spatial relationships between human bodies and the surrounding landscape.

Giacomo Infantino’s work uses staged scenes to evoke intimate and personalised narratives. The featured images outline places in Varese.

Future Now provides an imaginative platform for attendees to consider the arts ecosystem within a broader social, political and professional context.

The top picks for 24-25 March engage with art history, reinventing traditional approaches through photography and installation.

Work by Nathaniel Rackowe examines the changing nature of the built environment, reflecting on the life cycles of urban dwellings.

Work by James Casebere features as part of an exhibition exploring the relationship between photography and architecture.

James Turrell is internationally known for an engagement with natural and artificial light sources, expanding the boundaries of perception.

Smithsonian American Art Museum, Washington DC, offers an incredibly idiosyncratic installation – a trip down Do Ho Suh’s memory lane.

Marian Goodman Gallery, Paris, revisits Ettore Spalletti’s monochromatic, minimalist panels with What is the most profound in a man, is the skin.

Practitioners featured at The Other Art Fair explore and subvert the everyday through new and surprising methods.

By 2050, 70% of the world’s population will live in urbanised surroundings. Current exhibitions embrace, escape and offer solutions to this issue.

A new exhibition celebrates the British seaside experience through the lenses of Tony Ray-Jones, David Hurn and Simon Roberts and Martin Parr.

Czech practitioner Jaromír Funke pushed the limits of photography through an experimental use of light and shadow.

A strong sense of narrative permeates Robert Frank’s oeuvre. An exhibition explores work created in Paris, England, Wales and the US

The Whitworth showcases its latest major moving image acquisition – Isaac Julien’s Ten Thousand Waves.

New York Times invites a mix of practitioners, industry experts and prolific tastemakers to discuss the most pressing issues in art today.

Only 30% of artists represented by commercial galleries are women. Exhibitors at Photo London foreground a strong female presence.

Monty Kaplan fluctuates between modes of working. Colour is rendered as an emotive backdrop, carrying a sense of joy and woeful nostalgia.

Dan Flavin’s pioneering body of work is designed to be experienced, engaging with the minimalist language of fluorescent light.

To mark their seventh consecutive installation at Salone del Mobile, fashion brand COS collaborates with Phillip K. Smith III.

An exhibition at Museum Franz Gertsch, Burgdorf, tracks the intercontinental journeys of German photographer Axel Hütte.

The average American spends 7% of their life outdoors. YSP tracks a the work of a charity offering dialogues between societies and nature.

Stéphanie Roland reates evocative compositions which are often influenced by science and technology.

Positioning the work of leading 20th and 21st century practitioners alongside emerging artists, a show celebrates photography’s legacy.

Photographer Andrew Moore’s oeuvre comprises evocative images of architectural landscapes in Cuba, Russia and Detroit.

Anne Collier interrogates popular culture in order to investigate gender stereotypes, challenging outdated notions of female identity.

A new show of works by Iván Navarro explores timely themes of migration, propaganda and the collective trauma of the artist’s native Chile.

A new exhibition at Southbank Centre, London, explores the experimental history of the venue by delving into the archives.

Olafur Eliasson and Tomás Saraceno’s sculptural works investigate notions of space, making innovative use of colour, form and light.

The selection for 17-18 March celebrates the past, present and future of creative practice through performance, installation and images.

An exhibition at Asia House, London, examines ideas of space, boundaries and the tensions caused by power imbalance.

The Historic Dockyard Chatham hosts Powerful Tides: 400 years of Chatham and the Sea, an exhibition that showcases works inspired by water.

An exhibition at Marian Goodman Gallery transforms the institutional space into a singular, immersive installation.

Miles Aldridge collaborates with other creatives, building cinematic narratives that engage with image-making from all angles.

A multi-sensory work, consisting of moving illuminated walls, combines light and sound to expand spatial perceptions.

Scottish artist Robert Montgomery’s poetic installations engage with contemporary global issues including consumerism, war and injustice.