Foregrounding the contribution of women, this selection of female architects demonstrates innovative approaches to urban space.

The Manchester Lamps, a series of new sculptures celebrate the history of the city through a playful, design-led approach.

Jyoti Dhar is an art critic of British and Indian descent based in Colombo. She is a contributing editor for ArtAsiaPacific and regularly contributes to Artforum and The…

Future Now: The 2018 Shortlist investigates ideas of identity through work by three shortlisted moving-image makers. 

Theaster Gates’ socially responsive work bridges the boundary between art and society, facilitating political and urban change.

Siegfried Hansen’s street photography is on display this summer as part of the 2018 Hamburg Triennial, covering the theme of Breaking Point.

The topic of editing, cropping and filtering, as well as the impact of digital circulation, is addressed in several exhibitions and publications this month.

Exhibitions open this summer document the fast-paced nature of the modern age by reflecting on urban and rural landscapes.

Dutch Stuff at London Design Fair takes a pared down approach, offering an eclectic yet nuanced selection of products from the region.

Looking to the future of creative production, New Designers brings together over 3000 emerging practitioners from leading institutions.

Looking to the past in order to to reflect upon the present, a new photobook by Matt Henry offers a revealing series of compositions.

Investigating spaces of transition, Ursula Schulz-Dornburg’s oeuvre documents borders and cultural sites to explore lost utopias.

A new book by Libby Sellers, Women Design, profiles 21 pioneers who have shaped the design world over the past 100 years, redressing the gender balance.

Pioneering in its extent of research, a new book from Phaidon presents a concentrated and intriguing overview of architectural exhibitions.

A show demonstrates how photography and video can be used as tools for both documentation and social discourse.

From documentary realism to uncanny compositions, photography shows running 23-24 June engage with diverse aspects of daily life.

Lee Miller and Surrealism in Britain is the first exhibition to track the photographer’s engagement with the movement.

Depicting optimism and honesty, Feinstein’s street photography from the latter half of the century continues to delight and inspire.

In a growing digital landscape, the boundaries of photography are constantly required to evolve. PHOTOFAIRS Shanghai explores this notion.

A new publication by Katrin Tiidenberg looks at the social, technological and cultural contexts of the 21st century selfie phenomenon.

An honest representation of joy and community spirit erupts from Shirley Baker’s images, which document the effects of urban clearance programmes in Manchester during the 1960s.

This summer’s must-see solo exhibitions, group shows and biennales demonstrate the UK’s dynamic artistic landscape.

The first UK retrospective of work by American photographer Dorothea Lange opens at Barbican Centre, London, this summer.

Jacques Henri Lartigue: Life in Color offers personal insight into the photographer’s wider oeuvre and the vividness of the world.

An interest in colour, shape and light defines Franco Fontana’s practice, investigating the possibilities of photography.

Constructing a series of neon utopias, Reine Paradis’ surreal images celebrate the perplexities of the contemporary Los Angeles landscape.

Mark Wallinger’s recently opened public artwork reflects upon notions of justice and democracy, offering an immersive experience.

Bringing together London’s leading galleries, Mayfair Art Weekend celebrates the diversity of London’s artistic landscape.

As part of arts festival Rockaway!, Museum of Modern Art presents Yayoi Kusama’s site-specific installation of Narcissus Garden.

Jo Kalinowski is inspired by identities. With British urban roots, she now lives in Australia, exploring the spaces between manmade and natural landscapes.

Delving into the formal structure of the built environment, Michael Wolf’s practice uncovers the complexities of life in the metropolis.

Taken between 1974-1976, Langdon Clay’s atmospheric images of cars in New York City capture the aesthetic of an era.

Aesthetica Art Prize alumnus Sara Morawetz’s latest project, étalon, is a study of both the length and the lengths taken by science.

The first American survey of work by John Akomfrah investigates the legacy of colonialism, climate change and the experiences of migrants.

Katrina Palmer’s new piece, opening at Yorkshire Sculpture Park, acknowledges a group of pioneering women during WWI.

Using infrared techniques, artist and photographer Sanne De Wilde captures Pingelap and Pohnpei, islands in Micronesia.

Candida Höfer: Portraits of Spaces depicts empty public places, presenting cultural institutions as devoid of human presence.

Exploring the interactions between individuals and the 21st century landscape, must-see exhibitions unearth the uncanny in the everyday.

Reshaping our understanding of industrial landscapes, David Maisel’s Atlas demonstrates the physical impact of human activities.

Inspired by the studio spaces of Luis Barragan, and Ricardo Bofill’s La Muralla Roja, Massimo Colonna’s images provide an arena for uncanny movement.

New media has changed the way we communicate. A series of talks at the Aesthetica Art Prize exhibition contextualise the show,

Marco Miehling, winner of the 2017 Artists’ Collecting Society Studio Award, creates site specific, spatially & historically responsive works.

Leslie-Lohman Museum brings together work by 12 emerging photographers who engage with ideas of sexuality, gender, race and ethnicity.

Bringing together work by Zoe Wetherall and Ashok Sinha, Front Room Gallery’s Strata investigates the medium of aerial photography.

Trevor Paglen: Sites Unseen, a new show opening at Smithsonian, Washington, occupies the boundaries between art, science and investigative journalism.

In a new exhibition titled Architecture and People, Nederlands Fotomuseum brings Werner Mantz’s architectural and portrait works together.

Coinciding with Art Basel, photo basel, Switzerland’s first photography fair, investigates the boundaries between truth and fiction.

Design duo Objects of Common Interest is known for creating still life installations and experiential environments.

Founded in 1995 in the city of Gwangju in South Korea, the Gwangju Biennale is Asia’s first and most well-known contemporary art biennale.

Tish Murtha captures a sense of timelessness through photography that addresses neglected youth in the north of England.